Oh no mm, hope it's not Covid, although I hope it's not a stinker of a cold either as I had one of those and it just sort of ebbed and flowed for weeks. Good to hear you had a good time though (I hope also sartorially).
Time, I'm not sure with Acne Studios, they're not a huge fashion house with two divisions afaik but their runway pieces sometimes get produced in very limited numbers but it's not the bulk of the retail collection. It's never been this off brand though so maybe that's my wishful thinking 😑
I didn't last long in that Balenciaga show, it just looked a bit like the aftermath of an illegal rave in some barn that got shut down. I've just never really gotten on with Balenciaga under Demna Gvasvalia tbh. Commerciallly it's hugely successful and outperforms practically everyone but I just struggle with what exactly is appealing about it 🤷
I don't really see it as a continuation of Cristobal Balenciaga's vision either, granted those are very big shoes to fill but current Balenciaga just feels like Vetements without the play on logos and better financial backing to me. But Vetements was a fair bit more exciting and worthy of praise IMHO.
There's currently a big Balenciaga exhibition in The Hague that I need to get down to already. I did read an interview with the original French curators of it who did that faux if you don't have anything nice to say, say nothing at all when asked about the current iteration of Balenciaga. It was really obvious they absolutely despised it. It's always puzzled me how little criticism there otherwise is in fashion media, I should really fashion myself a shiny metal hat and so some investigating 🧐
WRT weird fashion shows in general atm, I think the pandemic did a real number on some people in the creative field. From what I've observed anyhow, many completely lost their ability to create at the time and it's left them somewhat 'traumatised', dented confidences anyhow.