Gosie was taking advantage of the dispute about the Renoir copy that was actually a Renoir.
France was just a cover. Gosie never lost the beret: she ditched it. She never stopped writing but she was really drafting the timing window and was casing room.
Sébastien-André? He was charming and useful.
The audacity lies in getting @Boiledbeetle to part with so many Tunnocks. Even if they are out of date. They still fetch a good price on the black market.
France was reconnaissance and positioning. The wine was cover (convincing, to be fair).
Nuance was about timing, access and ensuring that Sébastien-André was deployed exactly where needed.
And the Tunnocks? That’s the real tell. You don’t move that volume unless you’ve secured logistics, paid in something untraceable but desirable and convinced Boily that it was justified.
Out of date means nothing. Scarcity is everything.
Gosie identified the asset, created the distraction, funded the extraction and left before anyone agreed on what they were looking at.
And the paintings?
Already somewhere else.