Her capitalised "I'VE GOT A VENUE FOR TOMORROW NIGHT!"
...I'm sure it's simple joy. But it's imho also coded language that the first gigs were cancelled, that's death for a performer like her, and that she's absolutely at one with the fans that stuck with her, and that her livelihood was put at risk.
I agree with Brendan O'Neill, I think there's a watershed or jumping the shark moment on prominent figures cancel culture at play here.
The woke scolds expected her to fold further, the Twitter shitstorm to so engulf her, a cascade reaction of ordinary people turning their backs on her, the wider industry shunning her. More venues, maybe all, turning her away.
And the herd/purity spiral burying her.
In 2019, yes. Even 2022, this could have been her fate. But it's 2023, and she's part of the chain reaction from Lia Thomas, Austin Killips and Emily Bridges in sport, Isla Bryson and SJB re prisons/violent offenders, Dylan Mulvaney and Mika Minio re preposterous womanface, and visibility of GCs winning in court ie Alison Bailey, Maya Forstater, Jo Cherry, Julie Bindel, and the farcical attempted cancelling of Kath Stock at Oxford.
I think Róisín's case here is absolutely peaking, the mob picked on the wrong target, and each further slight against her (BBC Six Music deleting her) looks more and more prejudicial.
"I'VE GOT A VENUE FOR TOMORROW TONIGHT!" is both exclamation of joy, and V sign to her detractors. And a message to us.