I've never heard of St Catherine's day before (godless heathen that I am, and after reading the wiki entry that it's about praying for unmarried 25yo women I probably would have been better off of not knowing about it) but really enjoyed watching this about the tradition at Dior:
Catherine, thanks for the reply, yes, I can imagine it's hard to settle in Denmark and feel welcomed within a community (her complaints remind me of my international school days where we'd be homesick and compete with how absolutely awful everything was, even air can be wrong ). I'm with her on the open faced sandwiches though, it's just bread with stuff on it and when you need cutlery to eat it, it's no longer a sandwich.
Micro tbh it's sometimes just good luck when brands have good tailoring. Victoria Beckham had a good cutter (or perhaps a team of them) for a while and was also in luck by being shown the ropes by Roland Mouret (allegedly) when she started so had all the right factory and industry introductions as well. For a while she offered really high quality and interesting tailoring at quite low prices (especially in the diffusion brand there was no real difference between the two brands, if anything the diffusion brand had more interesting construction techniques) and no one reported on it, mostly focusing on dresses and colour blocking. Now the brand has evolved into mostly being what was reported on 🤷
Anyhow, Saville Row is probably a lot more interesting for observing actual tailoring as opposed to fashion tailoring in a high end brand in a department store. I think many mistake good tailoring for anything that looks razor sharp but it's actually found in really small details that build to something without flaws. This blog isn't that active anymore but the archive is a treasure trove, it really zooms in on these small adjustments to fit with runway examples. It's officially pattern drafting but really it's designing. The two are often split up, designer designs something in a sketch, cutter drafts pattern of design and the relationship between the two can be either very hierarchical or collaborative, the latter makes for more interesting clothes for people who are into construction, tailoring, etc. and the former is more in your face Fashun. Usually, as above, sometimes happy accidents happen and a really good cutter gets away or is given the leeway with designing in the pattern but a big ego designer will want a cutter to be more like a worker bee and do exactly as told. Then there's the rare breeds that are designer and cutter in one, Cristobal Balenciaga, Alexander McQueen, Rick Owens (another brand with excellent tailoring but the tailoring goes by unnoticed, but good tailoring does that, it's discrete and not instantly legible).
Wrt Balenciaga I think you're off on a tangent of sorts. It's mostly young rich kids of new wealth that think it makes them Fashun. It's entirely conceptual and the last person who successfully conned his clientele into being a parody of itself was Karl Lagerfeld at Chanel. It's commercially hugely successful and difficult to replicate.
I must stress Demna Gvasvalia is a very talented designer who delivers some amazing things but, reluctantly, at this point it's difficult to distinguish Balenciaga from a merch store. Personal opinion, but for the sake of his artistic integrity (as he does seem to care for that in a way Lagerfeld didn't) I think he needs to move away/on for a bit. Haute couture at Balenciaga seems to be an attempt at that but IMHO more distance is required. Who knows, maybe this current Balenciaga advertising scandal will allow him a good excuse for an escape.
Anyhow, as for billionaires and the quality plateau, that's not Balenciaga territory (although the haute couture division obviously would like a piece of this pie). At a certain price point it's no longer a representation of quality but it just becomes about scarcity that drives ££££ price tags, eg. baby cashmere from animals of a specific age and specific part on the body that can only ever be harvested from an animal once and you need the yield from 1500 animals to make one jumper (I made these numbers up), and it's extremely delicate and will probably wear out within a very short time. It's not necessarily even about owning something as exclusive as that, it's about somebody else not having that, when luxury bores you, then it's exclusivity that will entice. Hermès rations its goods, to billionaires, which never fails to amuse me. When you translate that bread, buying out the bakery so no one else can have bread, it rather reveals why billionaires shouldn't be a thing...