I've never been arsed about the cool not cool thing with bands. I've liked a lot of bands who are very uncool. I bought Shiver when it came out and liked it. I saw them playing around then when no one else interesting and met Chris Martin a number of times.
Therein lies my problem.
As a band they are nice enough but I found them bland and a bit dull after Shiver. Yellow was nice enough and great for a singalong but that's as far as I go. They play well and I can't fault them on that.
I think a fair few people who saw them back in 1999/2000 thought they'd go in a different direction musically and I think that's also part of the problem. Music snobbery? Perhaps. Shiver promised more and after Parachutes that enthusiasm fizzled out.
Then theres Chris Martin himself. It's a long story which I'm not going into here and I stress we never bothered him nor approached him (quite the opposite) but yeah, prick.
I've met a lot of bands over the years as I was just into the music and we just got to know people. Plenty of idiots and unlikeables. However Chris Martin is the one that stands out as the total knobber and pissed me off with his ego.
So for me it's partly personal and partly just not getting the hype after Shiver. There were plenty of better bands doing similar at the time. I found Coldplay more bland and the least interesting. Then Chris Martin started to be Knock Off Bono. I love U2 but I find Bono irritating when he does his whole sanctimonious thing. That just killed Coldplay stone dead for me. It was too contrived and insincere. It smacked of Americanisation and commercialisation in a way that grated and took away from the actual music. Bono is genuine about it and didn't copycat. And U2 had an edginess as well as the wholesome Christian thing that appealed to the American market as well as the UK market, which Coldplay didn't. If it had been just about the music, I'd probably have been less turned off about it. It was something of a culture clash between the UK music scene which was edgier and the UK market which had to be squeaky clean. So I would say the biggest issue is the US / UK music scene culture clash rather than it being a cool kids thing tbh.
It was also clearly partly driven by Martin's ego and who he was hanging out with at the time. Our encounters with him previously said a lot about him and what happened subsequently. I don't have a lot of time for people like that.
I will happily talk about U2 when the cool kids say they hate them. People find them a bit MOR like Coldplay but I love them. But Coldplay? I'd say I was more indifferent about Coldplay musically. They are 'nice'. In that indifferent pleasant enough way without being offensive or too interesting way. Not my cup of tea, but I guess that has wide appeal with people who are not that into music and just happy enough with mass commercialised stuff. I don't get the worship of them. It's weird. I'd call them the coffeetable-book of music for people who don't really know or care about music but want to look like they do. That's fair enough. But you can hardly call Coldplay ground breaking in anyway and that's always going to be reflected in attitudes to them.