@667TheNeighbourOfTheBeast I'm interested in history too. Lots of books, films and the speeches of Boris Johnson are based on classical references and though it helps you don't have to know to appreciate them.
But as a popular TV programme it doesn't work because it expects too much knowledge from its viewers and I suspect lazily relies on people knowing about the books or asking questions.
Why should viewers know the significance of "full Targ blood" or the acceptability and desirability and drawbacks of incest in many real life royal families without being told in the show? The Grand Maester could easily slip it into a debate on whether to apply leeches or poultices to Viserys's suppurating body.
And it commits little slip ups - were Viserys and Aemma closely related? I assumed they were because they both had the Targaryen silver hair and difficulties in producing a live child but I think I was wrong because I don't remember it ever being mentioned but did remember hearing Aemma had a different surname.
The significance of Alicent's green dress was sloppily done. It was almost as if the writers said: "Oh fuck! We forgot to say. Never mind. Don't bother reshooting a scene for the first spisode. Just get two wedding guests casually talking about it like it's 1970s Charlie's Angels all over again where everyone had to explain the plot holes at the end. No one will notice."
And Ser Criston's crisis doesn't make sense except to carry the plot along. Either his honour as a Kingsguard and the personal protector to the heir to the Seven Kingdoms is the core of his being and worth being castrated and executed over or he can just forget it all and ask her to run off and open a B&B in Braavos.
Worst of all is the dialogue and character development. They have a great cast and Milly Alcock but waste it.
But I'm enjoying it in a perverse kind of way.