Eugene and Wilting the main constituent of Mol 01 is Iso E Super. It's a widely used basenote in just about anything these days (it has excellent tenacity and an abstract woody feel). Once you learn what it smell like you start noticing it in many things. Terre d'Hermes (a popular masculine where I live) for example is full of it. I sampled Iso E Super with a bunch of perfumistas and we all perceive it differently, some smelled nothing and others thought it was super strong tenacious, with an ultrasonic dog whistle quality Many people smell it for a bit and then disappears and then returns again. I think it's pretty magical on its own - incredibly nuanced for a single molecule! - but have grown a bit tired of its use as an el cheapo substitute for actual woods.
I'm wearing Miriam by Tauer today. This is a perfume that is very expensive for the perfumer to produce - hence true luxury for me to wear It has the same cool-warm retro va va voom feel that I adore in Guerlain's Vega and a big dose of lacquered hair fizzy aldehydes that may make it a bit difficult to approach. I'd like to think that this is a modern take on the original Chanel No. 5 extrait from the 1920s but who knows...
Teta I haven't smelled the 4160Tuesdays perfumes (so many new niche outfits out there these days...) but by chance I saw an exchange between their perfumer and Elena from Perfume Shrine in the blog post about why most mainstream perfumes these days are so samey and insipid. Posting it here:
Sarah McCartney said...
As a maker of my own perfumes for my little company 4160Tuesdays, may I just wave the flag for us indie scent makers who try to do something different. When you can just stop making something that doesn't sell you can afford to experiment and make unusual scents in small batches. With the big ones they make 10, 000 bottles a go and it's all about reducing risk, going for something safe - something that's already selling. It's like Hollywood versus indie films, or fashion or music. If you want to come over and sniff the materials one day, let me know.
Perfumeshrine said...
Thanks Sarah! I think indie perfumers nowadays can provide what big companies have lost: true luxury. Feeling the customer's needs and creating something for them, from the heart, aimed at them directly. The gilded approaches are leaving me increasingly cold these days.
For me, wearing a limited-distribution indie scent (a Tauer or Slumberhouse) is true luxury. I can feel the quality of the raw materials, and what I'm wearing is really unique. I wear mass-market perfumes too, but the quirky and unique stuff is much more addictive...