On the Guardian article
SEEN in Journalism
Mar 7
‘Parallel world’ insight/promo into the view from the counterfactual side -
guardian
previews the ‘Transmission’ fundraiser on March 11 (next Wednesday) for which tickets are still available. They’re on sale in almost all sections at almost all prices, which is odd for a cheapish gig with these names in a great venue.
This well worth reading (archive) even though it’s no exaggeration to say it feels like it emerged from opposite world. For tens of thousands of people this 👇 narrative is accurate, even though almost none of it is true at all, apart from the accidental confessions of misogyny. It’s useful and terrifying at the same time, a classic demonstration of exactly what journalists are supposed to debunk, not amplify - woo about ‘empowerment, love, togetherness’ vs facts, law, science and truth.
But it’s incredibly interesting and vital to be aware that otherwise rational people still hold and promote this view of the last decade and the Guardian is still prepared to publish it. It’s informative.
‘Many senior music executives declined to sign Rasmussen’s open letter. “That didn’t surprise me at all” Alexander says. “My experience of people at major labels is they’re all very scared of losing their jobs”’
That’s not why they didn’t sign, and you bet he was in fact surprised. What’s happened in politics and journalism (what the Guardian calls ‘a dearth of supportive voices’) is indeed creeping up on the creative industries, just at even more of a snail’s pace. The return of reason is seen as an injustice and a cause of victimhood but it’s still returning.
<a class="break-all" href="https://archive.ph/2026.03.06-171446/www.theguardian.com/music/2026/mar/06/trans-mission-transgender-olly-alexander-live-aid-wembley-arena" rel="nofollow" target="_blank">https://archive.ph/2026.03.06-171446/www.theguardian.com/music/2026/mar/06/trans-mission-transgender-olly-alexander-live-aid-wembley-arena