The story of pole today begins a over century ago in the travelling beer and circus fairs of 1900s America. Following the success of the the 1893 Chicago World Fair, traveling carnivals featuring rides, freak shows, 'Wild West' horse riding, dancing and acrobatics and feats of strength became popular across the USA for four decades
The burlesque 'hootchy cootchy girls' dancing in the big tents serving alcohol would not only perform the 'exotic' routines on the bill (shimmy-shake dancing loosely based on West African dance and Turkish belly dance) but they also began to incorporate dancing round and climbing on the bar and the tall tent poles. In this they were instructed by the Mallakhamb trained Indian gymnasts and Chinese pole acrobats who also travelled with the fair.
Circus people doing circus things and jamming together in other words.
In the 1960s go-go bars with dancing girls dancing on stages or cages became popular and by the end of the 70s some clubs in the USA and Canada introduced poles. A sub culture amongst dancers competing to be featured artists and make lucrative stage appearances at different clubs led to an explosion of artistry, creativity and skill. Top dancers drew big crowds and began to be featured in music videos on the new MTV and similar stations of the 80s.
Dancers such as Canadian Fawnia Mondey began to get many requests to reach pole skills, not just by fellow club dancers but by women (and some men) interested in performing arts/aerial apparatus). She started teaching in her own studio and released an instructional video in the mid 90s. So did American Pantera Blacksmith and Jamilla De Vere (all these women were self-employed exotic dancers turned entrepreneurs). By the beginning of the 21st century there were many instructional videos and pole classes were being set up all over the world. YouTube launched in 2005 and other social media platforms made it easier for dancers to show off and share tricks and techniques.
All this interest in and collaborative growth in pole tricks and techniques sharing and creation was happening parallel to performing pole in clubs. The creators and originators of the tricks we still use as our foundations today were strippers who took their skills out of the clubs and developed them and passed them on to others who wanted to learn. Dancing for men was the night job and teaching pole skills the day passion that for many became their full time job and they left the club hustle behind.
To not celebrate these women who pushed and pulled pole artistry out of the clubs and to denigrate just how much courage and skill and passion it took to develop the skills - not to mention the sweat and the bruises - that is the shameful thing.
I am not ashamed of pole's origins. It was powered by dancers for themselves and each other and shared with passion and for love after the men who paid to stare had gone home.
People who think it is purely to titullate miss the point. It is not 'problematical' to me to be open about our origins. It is a source of pride.