Why is Carrie putting up with Aiden relegating her to the guest house like she’s a dirty secret. Also why on earth is his ex phoning her up to bring drugs, and she does it. This is just a stupid storyline. Get rid of Aiden.
I can't remember if I've said this before, but it's something I've thought for a long time since the ending of SATC, how Carrie changed in the movies, and now with the Aiden storyline: I think this is Carrie in fairy tale mode, the same mode the character has been in since SATC's ending, when Big "rescued" her from Paris.
Her rejection of her marriage to Big is akin to her waking up from a 20 year spell and realising she was rescued by a wicked wizard. Her one true prince is still out there!
In AJLT with Aiden, she's in princess mode, patiently waiting for Prince Aidan to slay his dragons, after which he can come to her. Or she's Penelope to his Odysseus, staying true and resisting other suiters while he's on his 5 year quest with his son.
In this episode, we have Aidan "rescuing" Carrie (after the car mishap). But it's not their time yet. So where does he put her? The visual imagery at the end of the episode makes her look like she's in a tower, separated from her prince, whose dragons haven't been slayed yet. She's lost her belongings (still in the car boot), but she's the resourceful princess who will merrily carry on, like all the other fairy princesses who lose their princess trappings but carry on regardless because they strong and faithful that they will get their happy ending if they are patient.
All the other friend characters are her sidekicks - her dwarfs or some such!
Kathy and the meds. Is that Kathy in wicked witch/evil queen mode persuading Carrie to bring poison apples to Aiden and his son? What was that look he gave her when she handed them over?
All of this fairy tale fluff feeds into Carrie's fiction writing. Her passages sound like Mills & Boon.
Edit: Should have added. This is all in stark contact to the Carrie of SATC, who repeatedly rolled her eyes at all the "fake" romance stuff, a theme running through her time with Alexandr Petrovsky - telling him to dial down the Russian romanticism. Right up until they were in Paris and she told him she wanted crazy, impossible love - which miraculously arrived in the form of Big to "rescue" her.