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AIBU?

Share your dilemmas and get honest opinions from other Mumsnetters.

Time for Women with Talent to Take Back Older Female Roles in Pantos

516 replies

SpringTimeIsRingTime · 08/02/2026 15:31

Panto Dames have been a thing since 1806 when a certain Mr Simmons decided to play Mother Goose as a Witch (how original) rather than as a caring grandmother figure. Nowadays panto dames are mainly played by gay men in drag.

I think it's time for talented actresses to take back elder female roles from the tired tropes played by men since the Victorian era.

OP posts:
Thread gallery
9
taxi4ballet · 08/02/2026 23:41

GreenIsTheColourOfMyHoliday · 08/02/2026 23:08

Russian companies are very insistent on playing it the way it originally was played (not that many Russian ballet companies are being allowed to dance at the moment still)

Probably because the music for The Nutcracker was written by a Russian composer and the dances choreographed by Petipa, a French/Russian, and first performed at the Mariinsky Theatre in St Petersburg.

And no, Russian companies aren't performing in the UK, for obvious reasons.

taxi4ballet · 08/02/2026 23:44

Carla786 · 08/02/2026 23:36

I don't disagree with someone doing a Chinese etc dance in the Nutcracker. It's yellowface I personally object to

British companies don't do that.

Carla786 · 08/02/2026 23:47

LittleJustice · 08/02/2026 17:27

I am a complete agreement with you OP and also think that the principle male lead should be played by a man. Or else where's the eye candy for the mums? Feels like we miss out on every level in a traditional pantomime tbh, which presumably was the point.

I see what you mean but I don't think pantos were necessarily designed to exclude women though there are definitely sexist elements.

Traditionally they were designed as a kids' thing to some extent, so not only adult-targeted.

Roles like Sleeping Beauty & Cinderella did get to sing etc though parts fairly passive, and roles like fairy godmother were positive.

It's worth noting principal boy actresses like Vesta Tilley, Ellaline Terriss etc had notable female fanbases too, they weren't purely popular with leering men.

https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=www.theguardian.com/music/2010/may/13/cross-dressing-women-musical-theatre&ved=2ahUKEwiky7WPisuSAxWCnf0HHUAyL08QFnoFCIABEAE&usg=AOvVaw2YTiWGl72iIa5Ns5TB4W1i

https://www.google.com/url?opi=89978449&rct=j&sa=t&source=web&url=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2010%2Fmay%2F13%2Fcross-dressing-women-musical-theatre&usg=AOvVaw2YTiWGl72iIa5Ns5TB4W1i&ved=2ahUKEwiky7WPisuSAxWCnf0HHUAyL08QFnoFCIABEAE

Carla786 · 08/02/2026 23:48

taxi4ballet · 08/02/2026 23:44

British companies don't do that.

Yes, I thought that would be unlikely. Foreign companies doing it shouldn't but it's harder to stop. As you said,,Russian companies are not round here much anyway, for obvious reasons...

IdentifyingAsAWoollyMammoth · 09/02/2026 00:12

Lobbygobbler · 08/02/2026 20:23

Seriously? I’d be interested to know what kind of theatre you work in. Audiences are down, revenue is critically low, decades of underfunding by the government in the arts, working class creatives working in theatre is diabolically low (about 8%). Theatres are hanging by a thread. I could go on. I’m genuinely astonished you claim to have worked in theatre for 30 years and don’t know this…

Well, I've run four different venues, in different parts of the country, and all of them did and are still doing very nicely thank you. In fact, many theatres are doing very well, particularly smaller venues, although despite tickets prices increasing most shows in the West End are selling very well.

Does the industry have problems? Yes. Is it in dire straits? Absolutely not.

IdentifyingAsAWoollyMammoth · 09/02/2026 00:20

Lobbygobbler · 08/02/2026 21:26

That’s musical theatre. I’m talking about drama. In any case less than 9% of musicals are written by women. It’s dire.

Ah, well, you said THEATRE is in a dire way, not DRAMA.

I would agree that the West End is crammed with musicals (and has been for 25 years) but there have been a lot of very good dramas in the last couple of years with very good roles for women. Till The Stars Come Down transferred from the National was one particularly female-heavy play but there were many others. Sarah Snook did a one-man Dorian Gray. Giant was 3M 3F.

The National, the Globe, the RSC, Chichester are larger venues with lots of women playing male roles. The National and Globe are both run by wine, the RSC has a female and a male director.

Again, if you look at smaller venues, such as Orange Tree Richmond, there stage almost exclusively drama and everything they do is sold out. The prices are also reasonable and often with names in the cast.

ShowMeTheSea · 09/02/2026 00:25

YABU.
I love panto and it just wouldn't be the same without panto dames played by men.
#LeavePantoAlone

ShowMeTheSea · 09/02/2026 00:37

fishtank12345 · 08/02/2026 22:05

Agree, why men, its silly...

Panto's meant to be silly, silly! 😁

GreenIsTheColourOfMyHoliday · 09/02/2026 01:10

taxi4ballet · 08/02/2026 23:33

So not British companies then. Who are far more enlightened.

But companies performing in Britain don't have to be British

GreenIsTheColourOfMyHoliday · 09/02/2026 01:13

IdentifyingAsAWoollyMammoth · 09/02/2026 00:20

Ah, well, you said THEATRE is in a dire way, not DRAMA.

I would agree that the West End is crammed with musicals (and has been for 25 years) but there have been a lot of very good dramas in the last couple of years with very good roles for women. Till The Stars Come Down transferred from the National was one particularly female-heavy play but there were many others. Sarah Snook did a one-man Dorian Gray. Giant was 3M 3F.

The National, the Globe, the RSC, Chichester are larger venues with lots of women playing male roles. The National and Globe are both run by wine, the RSC has a female and a male director.

Again, if you look at smaller venues, such as Orange Tree Richmond, there stage almost exclusively drama and everything they do is sold out. The prices are also reasonable and often with names in the cast.

Ah but we were supposed to guess she didn't mean "all theatre" and just meant "the theatre she likes which is plays"

EBearhug · 09/02/2026 01:55

I thought most ballet companies these days were pretty international.

At one point in the '70s, we went to Goldilocks at Weymouth Pavilion, and they had real bearcubs on stage at one point. Wouldn't happen now, for the same reason we don't have circuses with animals any more.

I detest audience participation, so have never been keen on panto, but one year when my German boyfriend was over, I got him to sit through a panto on TV. I explained there are very set roles, like the dame, the principal boy, the fairy godmother, the baddy, regardless of whichever story it actually is, plus audience participation in terms "oh yes it is! Oh no it isn't!" and "look behind you!" And the general silliness is the whole point of it. I don't think he quite got it. (Nor Morris dancers, when I ended up accidentally at a Morris festival with him.) But I'm ambivalent about who plays a dame. I'm sure some female actors would fo it splendidly, but panto is very much about tradition.

powershowerforanhour · 09/02/2026 01:58

https://en.wikipedia.org/wiki/John_Linehan_(entertainer)

Here's our panto dame. Been the star of the show at the Grand Opera House in Belfast (which is right beside the Europa hotel and had suffered from the Europa's oft quoted claim to fame ) for decades.

John Linehan (entertainer) - Wikipedia

https://en.wikipedia.org/wiki/John_Linehan_(entertainer)

HighLadyofTheNightCourt · 09/02/2026 07:19

SpringTimeIsRingTime · 08/02/2026 22:25

No-one's saying get rid of panto - just allow actresses a chance to play female roles such as the Dame Panto or the Ugly Sisters.
Some women are already breaking in - no actress should be ruled out of playing a panto dame just because she's a woman. That's uber-ridiculous.

Edited

The point you continue to ignore is that often the same character is specifically written to be played by a man. That is where the humour lies and is part of the traditional pantomime.

If a theatre company wants to write that role for a women, then they can. But it changes the dynamic of that particular character.

HighLadyofTheNightCourt · 09/02/2026 07:25

SpringTimeIsRingTime · 08/02/2026 21:53

Why have women play prince charming at all?
I'm sure young girls would much prefer a good looking boy in the role.

Err so you’re just annoyed that you don’t have an attractive man to look at when you’re at the theatre?
Also, do lesbians and bi sexual women not go to the theatre?

JustOnePersonNotAnOctopus · 09/02/2026 08:01

Carla786 · 08/02/2026 22:24

Hmm...I agree somewhat but Victorian ankle etc taboos have been retrospectively exaggerated somewhat. That applied to everyday middle-class dress, not theatre. On stage Victorians were already used to ballet dancers, breeches roles and music hall performers in tights, so principal boys weren’t some shocking new display. There might have been a bit of cheeky appeal, but pantomime was still family entertainment, not a leg show for men- as I've said ,burlesque and to some extent music hall were available as a more sleazy niche.

Yes, I get the impression OP doesn’t know as much about panto or Victorian culture as she has implied.

Also, have you ever been in the cheap seats at the theatre 😂 can barely see anything.

JustOnePersonNotAnOctopus · 09/02/2026 08:11

SpringTimeIsRingTime · 08/02/2026 17:22

Mother Goose was a fairy tale character first published by Charles Perrault in France in 1697 based on much much older oral folk tales. She represents a kind, nurturing grandmother figure which was transformed into a witch by a Mr Simmons in 1806 at a time when misogyny was the norm in society.

It worked because men (and women) could openly mock and laugh at older women once they were portrayed by men as nasty, nagging old hags...

As a comparison, Al Jolson also became incredibly successful by putting on black face to appeal to rampant racism prevalent in the US during the 1920s and 1930s. It wouldn't work today because society has moved on.

The "principal boy" roles were played by women to give Victorian men a sexual frisson while "just watching a children's panto" which is why the young women wore tights and very short tunics. It was for the male gaze, nothing else.

The ugly sisters are supposed to be women not men but again they are played by men as hideous caricatures of women.

Where are all the roles for older women playing hideous caricatures of men?
They don't exist.

It would be far more interesting to see traditional female roles from folk tales played by women in this day and age.

We should move on from dated misogynistic tropes of women played by men.
They're tired and out of sync with society.

Edited

Where are you getting your “quotes” from?

IdentifyingAsAWoollyMammoth · 09/02/2026 08:43

Also, have you ever been in the cheap seats at the theatre 😂 can barely see anything.

In some theatres, yes, particularly the West End, but not all.

Lobbygobbler · 09/02/2026 08:52

IdentifyingAsAWoollyMammoth · 09/02/2026 00:12

Well, I've run four different venues, in different parts of the country, and all of them did and are still doing very nicely thank you. In fact, many theatres are doing very well, particularly smaller venues, although despite tickets prices increasing most shows in the West End are selling very well.

Does the industry have problems? Yes. Is it in dire straits? Absolutely not.

We will have to agree to disagree. Obviously ALW is doing well but most theatres including small ones in the London (this is not just a regional issue) are in real trouble. You can throw all the anecdotal evidence you want at me but the statistics tell a different story.

IdentifyingAsAWoollyMammoth · 09/02/2026 08:55

Lobbygobbler · 09/02/2026 08:52

We will have to agree to disagree. Obviously ALW is doing well but most theatres including small ones in the London (this is not just a regional issue) are in real trouble. You can throw all the anecdotal evidence you want at me but the statistics tell a different story.

Edited

Give me your statistics then.

What roles have you played in the industry and for how long?

IdentifyingAsAWoollyMammoth · 09/02/2026 08:59

Where theatres ARE in trouble is building costs. Many of them need a lot of money spent on doing them up. But in terms of audience numbers, they continue to be on the rise in the UK in the regions not just the West End.

Lobbygobbler · 09/02/2026 09:13

IdentifyingAsAWoollyMammoth · 09/02/2026 08:55

Give me your statistics then.

What roles have you played in the industry and for how long?

have a look for yourself if you are interested.

ShowMeTheSea · 09/02/2026 09:20

Lobbygobbler · 09/02/2026 08:52

We will have to agree to disagree. Obviously ALW is doing well but most theatres including small ones in the London (this is not just a regional issue) are in real trouble. You can throw all the anecdotal evidence you want at me but the statistics tell a different story.

Edited

I go regularly to the theatre and they always seem to be full house.

Lobbygobbler · 09/02/2026 09:21

Yes but production costs are rising so even with a full house, things are economically very challenging.

IdentifyingAsAWoollyMammoth · 09/02/2026 09:25

Lobbygobbler · 09/02/2026 09:13

have a look for yourself if you are interested.

I am interested. Where can I see what roles you've played in the industry?

HRTQueen · 09/02/2026 09:28

Older women playing a ridiculous silly character that is played by men, known to be men, to be even more of a ridiculous character

finally a positive and powerful move towards true equality

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