It always struck me as significant that TWS skips over entirely RW’s efforts to have what would become TSP published.
It goes from her writing it, humbly and apparently with no thought it would ever see print, as a birthday present for Moth, to the suggestion of publication coming from her daughter, and then goes to their pleasure when her article appears in the Big Issue, not in the humble position at the back where she expected but n a prominent position. It’s deliberately underplayed, placed just after Moth has a scan that shows marked deterioration, so R says she doesn’t feel like celebrating, and they’re so humble and otherworldly that they get the week wrong (but luckily the Big Issue seller was so struck by her piece he’s kept a copy.)
But absolutely no hint of the genuine ambition that must have propelled her to revise the MS, write a synopsis and a pitch letter, research agents, send it off etc. I think because it makes her look too focused on being a writer, on having other people read her work, on professional success.