@MrsTroutfire
Nowadays I think UK mc's are generally better than most American rappers. People like Skepta would wipe the floor with Lil Pump, BillySixNine, and all the teenage mumble rappers with rainbow skittles hairdos.
I agree in terms of sheer lyrical ability, UK rappers are a cut above.
What's interesting though is that the popularity of the Lil Pumps, the Lil Uzi Vert, Lil Yachty etc, is the culmination of a punk and rock aesthetic that has allowed hip hop to have another extended lease of life in the US.
There was a time around 2008/2009 when hip hop felt a little tired and old, a bit like when the excesses of 70s rock was about to be destroyed by the punk revolution.
The whole Kanye vs 50 Cent album launch, the fact that the most successful albums were tired rehashes of past glories by veteran MCs like Jay-Z and Raekwon..it was still a billion dollar business but it felt old.
Kanye then makes his surprise Autotune album 808s and Heartbreak after the death of his mother, and tha Carter III by Lil Wayne becomes the biggest record on the planet
For me these two moments are why we have the hip hop we have today. 808s and Heartbreak was the "Never Mind the Bollocks" of it's time - it smashed a wall through staid and crafted hip hop and said "it's ok to be angry and emotional."Drake wouldn't have a career without it.
As for Lil Wayne, just look at the first part of all those new rappers names. His slurry stream of consciousness style has influenced everyone in the game.
Basically if TLDR, US rap isn't Wu Tang and Nas anymore, and thank god it isn't. Music evolves.