If all those talented young actors who can’t get a look in would ONLY get jobs as nannies and carpenters for influential people in the profession, their futures would be assured! Wouldn’t they?
Yes, sir Peter Hall would probably have pushed his nanny forward into auditions, and suggested that his casting director and agent mates meet her and cast her. As well as his daughter, noted actress Rebecca Hall.
Keira Knightley’s mum is a director and screenwriter, isn’t she?
Rafe Spall, anyone? Rory Kinnear?
I’m not saying that these people are bad actors, but what advantages they have had compared to somebody from a comprehensive school in Wolverhampton who doesn’t have any contacts.
I feel sorry for talented young actors. I’d be interested to know how many people who go to drama school give up and retrain, and after how long. I quite often read about actors and actresses having been on the brink of quitting to train as a teacher or a midwife or whatever before being cast in a big TV drama at the last minute and sticking with acting. How many just go ahead with retraining?
Knowing how difficult it is, when all the odds are stacked against young actors with no relatives or friends of parents in the profession, makes the achievements of Maxine Peake, Lesley Sharp, Julie Walters, Olivia Colman etc look even more impressive.