I was struck by Steele’s account in the Guardian article of being distressed by watching MAS*H as a teenager:
[the interviewer asks] Steele if her transition has changed her irreverent approach to comedy writing. Does she still believe that anything goes? “Sure,” she says, “but not for me. I mean Netflix is airing our film, but also has comedians saying things that I wouldn’t say about trans people. I’m not a police person. I’m also not saying that I think comedy should be able to do all this stuff. But I’m not going to be able to stop it, and it’d be absurd to try.”
“I do know what laughter can do to harm people I knew,” she adds. “It harmed me. I watched the show MAS*H for my entire teenage life. I had to watch the character Klinger in a dress get a laugh every time he entered a room. That’s what I grew up with. So I know how damaging that can be.”
The whole point about Corporal Klinger was that he was desperate to get discharged from the army and would do anything that might work, notably being a cross dresser. Klinger went to huge lengths to maintain his ruse using elaborate costumes.
I wondered exactly why Steele said that laughter was damaging. He’s a comedy writer after all.
Because it exposed the reality? And so the whole premise Steele wanted that a man might believe he was a woman was doomed?
Because a man dressed as a woman was laughable in itself?
Because such behaviour was considered crazy and so would get you out of the army?
Are we supposed to censor “Some Like it Hot”, Monty Python, Les Dawson and of course the French and Saunders sketch where they dress as fat balding old men and hump the tv when a good looking woman is on screen? All because some people can't bear their belief to be questioned and to be the butt of humour?