Since RDf & the Queen lots of new guidelines have been written but has it really changed the programmes surely the production companies just cover their arse.
Most footage you see can be edited to tell different stories - different music, a quick shot of the presenter pulling a face to undermine the last comment, voice over, etc.
Factual 'Fly-on-the-wall' programmes are very different to 'factual entertainment'. Stuff like Gok, Grand Designs, Supernanny & Mary Queen of Shops is so heavily scripted you can play bingo with Kevin McCloud turning to camera just before the third ad break saying he doesn't think it will work.
I'm sure that with Mary Queen of Shops the crew will rock up on day one with a shooting script which will have for example:
Non-hero shot - business premises bit tatty, grey sky, voice over saying what a struggle, etc, etc
Piece to camera from Mary probably in car - I am an expert, I'm gonna turn this baby around etc.
Arrival shot - outside premises, Mary pulls face, strides to door to meet main contributor who happens to have microphone on and has been falling over kit bags and skinny runners for the last two hours. Mary tells poor helpless shop keeper what the problem is, shopkeeper agrees to problem but blames forces beyond control and strongly denies that product is at fault.
Mary takes product out for vox pops to man in street whos says its shit, shopkeeper agrees & looks sad, bonus points for tears, and begs for help.
Two more shoot days dragging shopkeeper and a staff member round country
Trip to designer for big reveal and grateful smiles from owner, we've turned a corner
Hero ending, new shop reveal, full blue sky filter on camera, possibly sweeping crane shot, happy shoots from public, owner, staff & Mary, final piece to camera from Mary about toughest job yet.
But this one did n't go to plan, I don't know why, may be the shop keeper was just too nervous for tv, maybe she is really evil and it's a crime to run a bakery with cheap, wonky cakes, perhaps it's just a small business going down the drain with very little cash flow strained by the demands of filming.
With no hero shots at the end, how do you spin the story - do you say Mary failed to save a bakers, that the expert could n't help, she could n't manage the hopes, expectations and cash flow of a small business. That Greggs, Costa coffee and ocado shopping are to blame and that you'd need to change society and stop Yummy Mummies ordering online to sell so many more pumpkin loaves to pay for a refit. Or do you end the program not with a hero but with a baddy - in this case the shopkeeper herself (36 years I believe ).
I just wander how ethical these situations are, gambling a small business for just an hour of tv.
To me it looks reasonable if Paul the baker did the nightshift, then got on a train to Gloucester to meet a Baker in a completely different type of area, then came back for another nightshift would you leave a production sheet saying - please do all the stuff we know that sells because we need to keep going and also by the way please make loads of extra fancy bread with ingredients we may not have because the film crew are turning up again tomorrow and a month ago they arranged a focus group for the next narrative point (fancy modern bread - yes I'd pay £2.50). If off camera Shopkeeper said to production I can't ask him, he's been up all night is that why Mary happened to have an Audi's worth of bread?
Sorry long post and rant , I don't watch much UK factual now because it's so formaliac, agenda driven, conflict as entertainment, I stick to HBO & Glee (remember tv execs - hometaping is killing music)