I am struck by the contradictions of someone touting the academic strength of the Steiner educational approach (as evidenced by the fact that a past pupil went on to Cambridge) while other Steiner advocates seem to look down their noses at the competitive spirit that engenders that sort of remark and ambition.
Children are most definitely discouraged from reading before their baby teeth fall out. (My neighbour was quite upset that DD4 (aged 5.5) had shown her DD (and best friend, aged 4.5) how letters corresponded to sounds and had effectively shown her how to read. The neighbour's child (bright, curious and persistent) had begged my DD4 to show her what reading was, and how it worked. DD4 decided it would be fun to play schoolmarm, and taught her all she knew using her reader from school.)
If you google Waldorf or Steiner kindergarten images you will find oodles of pictures with not a single book in them. These are classrooms for children up to 6 years old. And they nearly all feature peach blossom coloured walls. Steiner considered the colour 'peach blossom' to be the closest to human skin (do I hear you ask 'But what about people whose skin is not peach blossom coloured...'?) and therefore the living image of the soul. (So much for each school being unique, independent, and nothing to do with Rudolph Steiner.)
From www.chalkboarddrawing.org/ --
Kindergarten (age 5-6):
'In this work [the integration of art into the curriculum], the teacher is given the gift of insight into the child’s very soul being and has been a part of fostering the further development of that soul.'
First Grade (age 6-7ish):
'Some guidance may be needed if the picture becomes too “busy” and detracts from the main idea of the story.' [This is creative?]
'You will often see the temperament of the child shine through in what they choose to add to their drawing.'
[The temperaments are sanguine, melancholic, phlegmatic or choleric.]
Second grade (age 7-8 or so):
'The child seems to be between two polarities. On the one side a deep connection still to the infallible spiritual world lives in her soul. She still sees the world as good and true and maintains a connection to her higher self. But, at times, she will begin to show her human folly as she may lash out at a friend, hide a truth, or play the trickster. Here she finds turmoil in the separation from the spiritual realm and the discovery of the lower human traits...
...The second grade teacher brings a balance to these polarities in stories of saints and legends, exemplifying the higher human self, and in the animal fables, often depicting the lower human traits. Here the child is gently ushered into the transition from first to second grade.'
'The wispy aroma floating off the dish will appeal to the phlegmatic!' [i.e. the child with a phlegmatic temperament]
Third grade (age 8-9):
'For an excellent book written on the nine year change, see Hermann Koepke’s 'Encountering the Self'.
The answer to all of this lives in the brilliant Waldorf curriculum. As A.C. Harwood (2001) states:
"Steiner recommended a sequence of the better known stories of the Old Testament. It is not only that you have here the legend at its highest and grandest - Noah with the animals, Elijah with the ravens, David with his sling, and Joshua with his trumpet - but that the whole story is one of the journey of man from paradise to the earth, that journey which the children themselves are in the act of making. (p.91)"
The third grade Waldorf curriculum gives the nine-year-old the gift of meeting the world that he has come to acknowledge with the tools he will need to live in his new home, the earth.'
Fourth grade (age 9-10):
'...new to the fourth grader is another creation story. This is the time for the Norse Myths. Unlike in the previous year, when the god of the Old Testament stories was immortal and omnipotent, the gods of the Norse Myths are not quite immortal and make many human-like mistakes. They are fallible, jealous, mischievous, hurtful and short tempered. Yet, they must right any wrong they inflict as is customary to uphold their honor. The fourth grader is intrigued by these gods and lives deeply into the stories as they recognize their own folly in the characters. These stories are colorful and rich and can easily be portrayed pictorially in both story and drawing.'
Fifth grade (10-11):
'Equipped with a more enhanced consciousness, the students are now accustomed to standing alone and seeing the world with a new perspective. Where history was more pictorial and personal last year, this year they learn through stories of mankind’s deeds and strivings. There is an inner stirring that allows the child to relate her own humanness through this experience. She is led further and further into the world through the study of geography, yet brought in toward herself through the history of the ancient peoples of India, Persia, Mesopotamia, Egypt and finally Greece. She is led through more creation stories and mythologies, exposed to more of the world’s cultures, ending the year with Greek history. It is here in Greece, where harmony and balance are prized, that ancient history ends..
...The gestures of each of these cultures can be captured through the student’s artwork. The gesture of the ancient Indian is a dreaminess. In Persia, we see an impulse for transformation of the earth and for conquering the spirit of darkness. The cultures of Mesopotamia begin to express themselves with written language, and the Egyptians with their tremendous adaptability in the Nile River Valley. They were driven to achievement leaving a lasting legacy in the construction of monumental pyramids, the field of mathematics, agricultural techniques and medicine to name only a few. Finally, with ancient Greek history, the student comes to find herself at home, in harmony and balance with herself.'
Sixth grade (11-12)
'Bringing a balance to the concrete study of laws pertaining to both physics and social order, the study of medieval times brings the heart of the sixth grader to acts of chivalry, as in many Waldorf schools there is a ceremonial knighthood to partake in.'
[A rite of passage akin to Bar Mitzvah or Confirmation?]
Seventh grade (12-13):
'The Renaissance mimics the seventh grader’s respect of boundaries in that the only boundaries to be acknowledged are those boundaries to be crossed! Here they can experience for themselves great figures that were resolved to see for themselves, do for themselves and not trust authority for its own sake. The Age of Exploration ushers the seventh graders into their own self-realizations by revealing individuals who went beyond the limits and created a new perspective for the world. It is a wonderful time for biographies of great explorers and conquerors of the unknown.'
'In the Waldorf curriculum, each subject of study is brought by beginning and ending with the human being'
Eighth grade (13-14):
In the last year of elementary school, the eighth grader is well on his way to an understanding of humanity in the world in which he lives. This has been brought to them through years of instruction that have nurtured their souls and created a space for them to act out of their own thinking, feeling and willing. They have been engaged by a curriculum that meets the developmental needs and soul mood of the child at each step along the way.
An interesting site. We can see how every topic in 'history' is related to some phase the soul is entering and leaving on its journey and the role of the teacher in shepherding students through the soul metamorphosis and into contact with earth and on to humanness.