Oh yes indeed, three year olds can get art wrong. My neighbour (whom I mentioned) explained what was wrong about DD's art to me. Not only was the teacher who taught the wet on wet watercolour class in the hall (owned by the local council and not a church) a Steiner-trained teacher, she later became one of the prime movers in a group that set up its own Steiner school, and she still teaches there. She has been a Steiner teacher since 1987.
Typically, although the class was advertised as 'Wet-on-wet watercolour an enjoyable technique for tots aged three to five', with no mention of Steiner whatsoever, it was Steiner wet on wet watercolour painting, with high quality watercolour paper with rounded edges and lovely paints and brushes, a wooden table and little wooden chairs for the children, a central, deliberately composed seasonal set-piece on the table, and the room where the class was conducted was set up very carefully to reflect Steiner environmental aspirations (little nature-related montages in a nook in the wall and on a side table) as much as the teacher could manage to put together in the half hour between the previous group's time period and the watercolour group's slot, and to the extent that the space lent itself to the placing of decor.
According to DD2, she started each session by reciting a verse that DD, being three, couldn't remember (and she was only at the class twice a week for about ten weeks). At that time I didn't know what I didn't know about Steiner and I assumed an initial verse might be something along the lines of 'I wandered lonely as a cloud..' or 'Season of mists and mellow fruitfulness..' given the nature-themed decor. My old neighbour thought it might well have been a Steiner verse, by which she meant prayer. I am still not sure what the recitation was. I do know however that the class wasn't merely 'Wet-on-wet watercolour -- an enjoyable technique for tots aged three to five'.
Children working out issues between each other is the ideal in Steiner schools -- i.e. dealing with bullying or other interpersonal/communication difficulties amongst themselves, because this is the karmic process at work. In brochures and on open days, it is dressed up as an element of honouring children's deepest needs and it is placed within a context of guidance by a teacher, but in reality the guidance can be of the most general kind and can be limited to a teacher merely leading by example and never intervening. 'Artistic' experience is also cited as one of the deepest needs, along with a connection to nature, and to song, poetry and story. Omitted from descriptions in Steiner brochures are the words of the songs and poems, such as this
MORNING VERSE FOR THE FOUR LOWER CLASSES
“The Sun* with loving light
Makes bright for me each day;
The soul with spirit power
Gives strength unto my limbs;
In sunlight shining clear
I reverence, O God,
The strength of humankind,
That thou so graciously
Hast planted in my soul,
That I with all my might
May love to work and learn.
From Thee come light and strength,
To Thee rise love and thanks...”
(* Steiner considered Jesus to be the Sun God.)
...and the fact that history is taught as 'story', focusing initially on Norse and other mythology. Children have to learn about myths and historical events (the two are not really distinguished in Steiner schools) in the right order and at the appropriate time and stage of development so that their previous incarnations that live on in their subconscious can recognise the various events and eras in which they lived, and thus incarnation can be properly facilitated.
All well and good if that is what you knowingly signed up for of course.
I came upon this interesting differentiation between Montessori and Steiner in the course of my research.
Montessori and 'Waldorf' (i.e. Steiner -- this is an American school site) are compared under the headings:
'Waldorf: Imagination and Play'
'Montessori: Independence and Work'
'Waldorf: Social Education'
'Montessori: Individually Guided'
What becomes clear after reflecting on the text of the comparison is that Steiner education is not really all that child-centred. It seeks to have the child fit in with what is in fact quite a rigid and prescriptive educational environment, while Montessori caters for the individual intellect, the individual pace of learning, the individual academic interest of each child.
'The Montessori philosophy is designed to integrate children with the world around them by presenting them with factual material. Each object in the Montessori classroom has a specific place and purpose... The children in a Montessori classroom are engaged in mental activity; the children are seen as having an absorbent mind ready to soak up knowledge like a sponge.'
It also becomes clear that something considered higher than the intellect (which is mere 'mental activity') is developed in a Steiner setting. This is is never stated openly, but rather implied both by the actual language ('The children in a Montessori classroom are engaged in mental activity') and the comparison to Steiner with accompanying tone that denigrates that focus on 'mental activity'. Nor does the Steiner school come straight out and say that what it focuses on is incarnation, or that what is taught is seen primarily as spiritual exercises as opposed to 'mental' activity. Instead it uses buzz phrases such as 'individual learning style', 'vestibular and sensory-motor systems', 'comprehension skills', and 'non-competitive'. In a section entitled 'Waldorf Teaching Methods', the buzz words are 'interdisciplinary, hands-on approach', and 'classic education'. It is not stated in this context (where it seems to me it belongs) that Steiner considered a focus on intellect to be materialistic and dead thinking.
This study in contradictory claims is from the section entitled 'Waldorf Teaching Methods':
'Waldorf education is a carefully structured system nurturing creativity within the context of intellectual competence and disciplined exploration. Waldorf teachers craft their lessons to work with every learning style; kinesthetic, auditory, and visual, thus enabling every student to shine. Our flexible program meets the needs of individual students as they meld into cooperative class groups, advancing together through expanding realms of information and accomplishment.'
'...carefully structured system' and 'flexible program' are two things that seem to me to be irreconcilable.
The statement '...creativity within the context of intellectual competence and disciplined exploration' is so convoluted that it disappears up its own rear end, followed closely by 'Our flexible program meets the needs of individual students as they meld into cooperative class groups'.
A note on language -
There exists such a thing as Steiner-speak. The word 'artistic' keeps on cropping up, and it needs to be pointed out that it doesn't mean 'relating to art'. It means spiritual and it is connected to the various rituals observed in Steiner schools. Likewise, 'imagination' is a synonym for clairvoyance and is related to the process of spiritual metamorphosis. 'Social' means becoming part of a greater whole and subsuming your own individuality into the Steiner programme so that the working of karma may be facilitated.
As for the idea that Steiner didn't want to be treated as a guru I invite Siri to peruse this paper by Christoph Wiechert, former director of the Pedagogical Section at the Goetheanum School of Spiritual Science, Dornach, Switzerland. There is no such thing as Steiner education without Steiner, and there is no Rudolph Steiner, 'educationalist', without Anthroposophy.
Wrt Steiner as guru, I am re-posting this from the Steiner Waldorf Schools Fellowship site wrt teaching and creativity:
"In a Steiner school what is taught and how it is taught is based on Steiner’s pedagogical philosophy. Steiner teacher training courses cover the method, curriculum and underlying philosophy, and this highlights the need for the teacher to take account of the spiritual essence of the child in the learning process.