Re: pps’ early discussion in previous thread about HNTDDD, it would be really good if someone could do an indepth academic-style comparative review of HNTDDD and TSP, it would be great to have this as an extended article in the Observer - and the article author could get external views as to whether the two books are close enough to be considered as the same story / same author.
It would be very interesting to see how they correlate / tally in a very detailed way..
One might imagine that if they are almost identical, then surely either a) SW sticks to her guns that she didn’t write HNTDDD, which essentially means she is indirectly admitting plagiarism of this earlier work (by IWT) or b) SW admits that HNTDDD is her debut novel, which means that she has misrepresented herself in terms of the CB prize, and has won the prize through deception.
Which is it to be, I wonder?
Stepping away from the whole TSP context - if someone tried to pass off someone else’s work as their own, when that previous work is already in the public domain, what are the consequences? I remember there have been very high profile court cases around music - where parts of the song / melody appear to have been lifted from other earlier songs, and I think fines have been in the millions of pounds. If the publisher has published a book that appears to closely plagiarise an earlier book, by a different author, and a different author, what should happen - to the book, the author, and the publisher?
If someone is incorrectly awarded a prize that they should never have been in the running for - through deception - what is the outcome? I can’t think of any appropriate examples in this scenario - is it fraud? Is it just poor judgement- and an apology will set things right?
If the two books really are that similar, it would be good to bottom this out (as they say)..