I agree. I had read that piece before. I think someone linked it on here, but maybe months (and many threads) ago. She’s of course got every right to be angry about ‘nature cures’, and the fact that she had to fight for years to get a diagnosis of her condition, and that apparently, while on a PRH mentoring programme for underrepresented writers she was told that her work needed an narrative arc that highlighted recovery — but, on the other hand, her work has also been published by a major UK publisher (Sceptre, which is part of Hachette), and has won awards, and been longlisted for others, she’s had an academic career teaching writing, a previous career as a poet, and is a fellow of the Royal Society of Literature.
I haven’t read her book on illness and nature, but it’s presumably not been a bestseller as TSP has, and I think @Vroomfondleswaistcoat is right. Polly Atkin is in fact complaining in part about the choices of the reading public, who chose feelgood ‘yay, cure!’ over her presumably more complex narrative about nature not magically curing her, and, more widely, complaining about widespread societal ideas about disability. I don’t think she can pin all of that on Raynor Winn.
What’s interesting is partly, I think, generational — she sees herself as a disabled writer, not a writer who happens to have a chronic illness. But of course SW isn’t a disabled writer, or an ill writer. It’s TW who is the ill one (taking TSP at face value for a moment.) Even if TW had had a firm diagnosis of CBD before starting the walk, as TSP claims, he’s not the one writing. His experience on the path is being recounted by someone else, externally. It’s a very different ballgame, even before we factor in the lies, omissions, retrofitting etc.