I think so. If someone asked you to write an ‘unflinchingly honest’ account of your day so far, you’d still select, omit, shape etc.
@Vroomfondleswaistcoat — I don’t disagree. It’s possible Raynor is honestly representing her own panicked response to a diagnosis she catastrophised.
Where it gets more problematic for me is that she actively leans into the ‘imminent decline and a horrible death’ presented as total stark fact in two subsequent books and a huge amount of publicity, when it would have been perfectly possible, with minimal loss of face or credibility, to say ‘Further health consultations suggest Moth either has a different condition, or a very atypical form of what was originally diagnosed’, rather than to keep representing Moth as in terminal decline and needing to be saved once again by a walk she turns into a book.
And if Bill Cole’s account of Moth telling him he’d been told by his doctors not to make plans beyond Christmas is true, that’s pretty cynical manipulation.
Incidentally, I’ve just read Jenn Ashworth’s The Parallel Path, about walking the coast to coast path and getting letters at every overnight stop from her friend Clive, who is dying, and then discovering that her odd falls and dizziness en route weren’t sunstroke, but because she has a brain tumour. It’s very good on being around someone who is dying, on care, on how people choose to approach illness and death.