Well, or ‘I can’t quite get past worrying that my past will catch up with me’, so easier to be all ‘I Vant to be Alone…’ Which then does raise the question of how long they thought they’d get away with it.
I’m rereading Amy Liptrott’s The Outrun, having not much liked it when I first read it (certainly improves on a second encounter), and she’s entirely upfront about her awful behaviour before she returned to Orkney — she was an alcoholic who did a lot of stupid, unpleasant, dangerous things, hurt a lot of people, got fired a lot, was arrested etc. There’s no pretence that she was a victim in this. Even during the Orkney passages where she’s wild swimming and counting corncrakes and walking, she goes back to thinking of her alcoholic days and the damage she did, to herself and others.
I’m wondering whether the Walkers ever considered telling the truth about why they lost their home, and whether they’re now sorry they trapped themselves with a fake story. Similarly with Tim’s diagnosis. Whether TSP could still have been a success with more honesty about the circumstances of the loss of their home, that they had other options, and that T hadn’t in fact been handed a death sentence just before they started the SWCP.
This is interesting from Amy Liptrott on the experience of collaborating on the screenplay of a film of your memoir, watching an actress play you as you were ten years ago, the bits that really happened but were too cheesy to work on screen, the decision to leave out her RL brother etc.
https://www.theguardian.com/books/2024/sep/22/amy-liptrot-outrun-life-as-alcoholic-on-big-screen
What put it into my head is that they filmed on AL’s family’s real farm, and in the real RSPB house she lived in on Papay, and Saoirse Ronan sits at the real table she wrote the book at — I had been struck by how much less nice TSP’s film farmhouse was compared to the much more charming and beautifully decorated one the Walkers actually lived in.