Regardless of how this saga ends - what I want to see is the feature film of the action at Penguin Random House, starting from the day the first Observer article landed.
Opening scene: Hampstead, and a senior company employee enjoys a convivial sunday lunch au plein air with fellow members of the metropolitan intelligentsia. Much discussion of awards evenings and upcoming holidays in Provence/Tuscany. The phone rings...
There will be a frantic senior corporate bod, a grizzled senior editor whose advice on what to do is overruled by the hard-edged Head of PR (who may or may not be having an affair with the CEO), prompting early retirement of said editor disillusioned by the craven beast book publishing has become. Marketing brainstorms innovative strategies for future editions and heavily pushes projected profit margins. Legal, who already suffers from imposter syndrome, lies awake worrying in the dead reaches of the night, and deflects questions about the contract with queries about why the book's editor didn't check. The editor starts to drink and their relationship suffers. Lots of stormy meetings and raised voices behind closed doors. Office allegiances fall apart and reform. There is backstabbing, tears, venality. In a minor, but crucial, subplot, the assistant to the assistant to the Editor is vindicated in their having raised concerns over TSP's premise right from the start and is rewarded at the film's end by promotion (or possibly falling in love with Martin from Accounts who was the only one to listen to them).
Fill in your own lead and secondary actors (Sal n' Tim feature only as voices on the phone, if that). I'm available as story consultant should anyone wish to write the screenplay.