My favourite critique from the Guardian:
Bidisha Mamata, broadcaster and presenter
Bloated wank fantasy or simple-hearted bildungsroman? Poor Things is both. The plot is this: Frankenstein creates a manic pixie baby dream girl who’s also a socialist PhD hooker who’s also a thoroughly modern Millie and striking fashion plate who makes no emotional demands and is also a really intelligent nymphomaniac without a jealous bone in her body. With her fresh mind, literal interpretation of events and gorgeous looks, she’s just so bewitchingly bold and artlessly instinctual and unspoilt that she drives men mad with lust and love and longing. But those men just want to control her.
Bella’s “adventures” are 98% penetrative heterosexual sex and 2% conversation. I was particularly grateful for her foray into brothel life, because men who write stories can’t imagine any job for women except prostitution, and then they turn themselves inside out spaffing off about how it’s all just so philosophically interesting, and add insult to injury by putting these masturbatory, self-justifying thoughts into the mouths of fictional women. But what would I know? Just like Bella at the start of the film, I’m just a braindead fuckwit, and I don’t have Bella’s unique combination of intense carnality and virginal beauty to make up for it.
Not that it doesn’t look great, like Willy Wonka directing a Campari ad. Know what we also see a lot of? Stone’s nipples, pubic hair, supine body and unaware, sleeping face. Lanthimos has depressing form in this regard – remember the long, leering, breasty shot of a teenage girl swimming backstroke in The Lobster, and the full-body underwear shot of a teenage girl displaying herself to the boy she wants to impress in The Killing of a Sacred Deer. His camera just eats up all that nubile female flesh.
Poor Things also had a screenplay by McNamara, photography by Robbie Ryan, is based on the novel by Gray, and is executive produced by Daniel Battsek and Ollie Madden. So let me say to all these guys: thank you for explaining.