Ok, my advice is going to be different from others, because I've just produced my first feature film, and I'm writing a tv series. I'm as skint as fuck, and no, I won't be able to get you a break - but I can give you some advice.
But just before we get into that - to all the pp's who said the entertainment industry doesn't matter, isn't useful, or that you're a bit wet for wanting to work in it - film making is fucking hard work. To make a film (regardless of your role) you have to live, breathe, eat and shit it from the moment you start to the moment you finish your part. It takes loads of people to make one, all doing their bit, and the hours are long, even in top grade films. And if you don't think making a form of entertainment is worthwhile - try going a month without reading a book, a newspaper, going online, listening to music, watching television or watching a film - if you're fine with that, then slag the creative industries right off. And if you don't think art is worth striving for, then you have no respect in my eyes, for art, music, theatre, along with science and technology is what makes us more than animals. I study the creative industries, and I can tell you, without a doubt, it's the second biggest GDP industry in this country, and near enough the same worldwide. So, go figure.
SO - my advice. From someone who's 'only' made one feature film.
- Work on your social media reach. The one thing I learnt through casting is that if a film or project has a distributor, then they will want bankability in the cast. This doesn't just have to be IMDb bankability, but if you have a decent social media following, that will have value to them. It's harsh, but true. At a really cold level, the way most SM companies do it is to find your friends with the most friends, and friend as many of their friends as possible and keep going like that. (It's horrid, really, but is really is just all about advertising. You can't get popular, if you don't know anyone).
- Network. Sign up to local professional network events - there's loads of social media groups on fb/twit/inst etc - even ones for crews and writers. The more people you get to know, the more chance you have of getting work on referral.
- Consider offering yourself for work other than acting for the moment. Many actors on IMDb have credits for other jobs, from soundtracks, to producing. Again - working in film, especially indie film, is hard bloody work. Every person on that set has to multitask and pull creative blood out of their brains to think how they can get shit done, usually with no money. Even if you go for a runner for free (a lot of people end up working for free), you will be useful, and they'll remember you as a team player, efficient, and 'a good egg'. Now we have one big project under our belt, the other producers and I are looking onto the next project, and we are making a list of who were the brilliant people on the team, and who were the PITAS.
- Keep practising - as someone further up said, do am-dram stuff. If there's nothing else going on, do it, because you'll be practising your skills. You won't get through auditions if you don't keep practising your skills - you DO have to be good, you DO have to have a range of accents and depth and face malleability. The more skills you have, the better - learn other languages (film and tv is a worldwide thing, so other languages = more potential jobs), HORSE RIDING, advanced driving skills, musical instruments (most theatre shows now survive on multi-instrumentally skilled actors), dancing - think of what genres you particularly like and TRAIN for them.
- Offer yourself to work for free on shorts, sizzle reels, anything that anyone is filming locally to you. You'd be surprised how valuable you may be as a local actor to a low budget shoot who is struggling to save every penny - if you can get to a set for free, you'll have value to them over one who has a massive travel and accommodation cost attached. Unfortunately, making movies and tv is expensive. When you have to scrape together every penny, because no one sees a value in art, then this is the result - underpaid, but highly educated and skilled jobs. Or lack of.
AN-y-how, I hope that's marginally helped. Good luck out there. It can be done. One of the actors on our film applied for the role through facebook, I liked their reel and fought hard to get them the role - the distribution company said he had no bankability, as no SM reach, no IMDb value, but we fought, so they got it, and then they had a really successful trip to Cannes off the back of it, and were featured in a 'Actors to Watch' display there, and are now getting roles in bigger productions. So keep plugging away. It's perfectly possible to have a regular income from being a jobbing actor, but it's hard work.