'A Christmas Gift For You from Phil Spector' is still the soundtrack of my Christmas!
I wonder if there's some kind of internal, even subconscious, analysis taking place with any of these artists?
What was the alleged crime?
How certain are we that the crimes took place?
How much did I like the artist in the first place?
What's my likelihood of still enjoying the work having thought about the above?
For example, I think Gary Glitter is a terrible artist, nasty person and his crimes are pretty abhorrent, so I have no problem 'denying' myself listening to his work.
Michael Jackson - not a massive fan but do love a lot of his songs, not going to go and shout from the rooftops that he was framed (because he probably did do the alleged crimes) and probably won't go and buy an album, but very happy to listen to his music.
Phil Spector - shrugs I'm not listening to him sing, he produced some brilliant music, his behaviour does not impact my enjoyment of any of his work.
Rolf Harris - yeah, not listening to any of his stuff again, despite many songs being the soundtrack of my childhood.
I don't really see how denying myself the pleasure of listening to/watching an artist I enjoy is anything other than virtue signalling, unless of course the enjoyment has been lost because of the negative connotations.