I haven’t seen it in real life yet.
The Fourth Plinth is not a place for the memorial or status-boosting figurative trad statues ‘honouring’ heroes, it has usually been subversive, playful, challenging, critical, etc. It is always temporary.
This is in the end a collection of human faces. We can’t see their ‘identity’, their thoughts or feelings, we don’t have to see what the artist sees or intends.
Perhaps some time they will choose the artist who made a whole wall of vagina mouldings made by 100s of women.
One of my favourites was Yinka Shobinare’s ship in a bottle with west African fabric patterned sails.
I might roll my eyes at the thoughts and other works of the artist, but in the end I will look at the sculpture and form my own view of it, enjoy it or not, irrespective of it’s stated subject matter.
(staunchly GC, just not writing off a sculpture just because it features trans people)