the absence of head and face and the cutting across her legs, completely depersonalises the woman whose body it is.
Keep in mind this painting was never meant for public viewing.
That is kind of the point as it protects her identity except for the man who commissioned it and the artist. The man who commissioned the painting was the lover of the woman, Constance Queniaux, in the painting. Her lover was Ottoman diplomat Halil Sherif Pasha, and he commissioned the painting for his private collection.
This was back in the day when you couldn’t take a photo of your lover to look at and remember (or wank to), so you had to commission a painting of your mistress.
It is a mark of respect to the woman to not include her face or reveal her identity because even private collections can end up sold on and viewed by the public, or another man.
Only prostitutes had their faces on erotic paintings of this era as they were literally advertising.
No one knew who the woman was in the painting until 2018…