I'd forgotten what this thread is like in January - turn your back for 5 minutes and it's three pages longer and you've missed all sorts of interesting discussions!
1. The Good Immigrant, Nikesh Shukla (Editor)
Bit of a cheat to add this one as I actually read it in December 2018 but I forgot to add it to my 2018 list.
Like all anthologies, this had stronger and weaker chapters, but there were more good'uns than bad'uns and the overall effect of the compilation was very strong. I'm white, and although I read a lot of BAME writers, follow them on Twitter etc, it was an eye-opener to me to see just how much our society excludes people of colour and treats them as "other". Readable and thought-provoking.
2. Everyone Brave is Forgiven, Chris Cleave
Chris Cleave wrote The Other Hand , a 2008 bestseller about a young asylum seeker from Nigeria. This is a very different book, set during WW2 and based on the wartime experiences of his own grandparents.
It centres around two sets of friends: Mary and Hilda, Tom and Alasdair. Mary ("handsome, clever and rich") signs up as a teacher at the start of the war and finds herself moving into social circles that would never have been open to her in peacetime. Tom is the head of the local education authority (and exempt from having to sign up), and he and Mary meet and fall in love. Meanwhile Alasdair volunteers for the army and ends up stationed in Malta, under siege and bombardment.
I wouldn't have been convinced, before reading this, that a writer could come up with any new or interesting things to write about the early years of WW2 but both Mary's story and Alasdair's felt fresh and fascinating to read. Cleave's descriptions of both settings (Blitz-torn London and the dry, hungry island of Malta) are vivid and affecting. The only downside for me was rather weak characterisation - if the characters had been as vibrant as the settings, this would be a five-star book.
3. Bitter Orange, Clare Fuller
Another goodie. It's 1969 and Frances, in her late 30s and reeling after the death of her mother (with whom she has shared a claustrophobically close relationship), arrives at a nearly derelict abandoned country house to survey the gardens for its new American owner. She finds there a beautiful and bohemian young couple, employed to do a similar task in the house itself. They have the house and gardens - beautiful, wild, decaying and possibly haunted - to themselves.
There are loads of great tropes brought together here - the country house, the love triangle, the long hot summer, the is-there-isn't-there ghost story - and Fuller balances them with skill. There are numerous mysteries, and while there isn't a twist exactly, I didn't foresee how things were going to end. Fuller's writing increasingly reminds me of Shirley Jackson and I've enjoyed reading her blog about the books she reads herself and where her research for the book led her.