Flora I don't think I've tried that but I like the bracing green, bitter notes of violet leaf a lot.
Isabelle don't worry if none of the greens I mentioned clicked immediately. Taste in perfume is such a personal thing. I imagine that bigger, more voluptuous perfumes are more your thing (Chanel No. 19 EdP might come closest to that group - galbanum rounded up with lots of sensuous florals.)
Isabelle you may have encountered one of these SAs who do not know a lot about perfume. Maybe she took inspiration from the perfume's name, but imo the day/evening scent stuff is conventional mumbo jumbo and perhaps not worth paying attention to. I've never really understood it, if it means cologne during daytime and bring on the big guns (Poison and Giorgio anyone?) when going out
I don't enjoy a cacophony of loud perfumes at theaters, restaurants and discos; and yes, perfume can be seductive, but you are often better off without (given the sharp love/hate divides). And I find that discreet drop of EdP or extrait in the morning often gives a full workday's worth of delicious perfume. That said, I'm not a heavy sprayer, half-a-spray or a light dab is often just enough. I often spray something heady during the day when I'm mostly alone and when I go out, I try to pick something discreet - a classic cologne is often ideal.
I'm generally not a jasmine soliflore person but A la nuit is fantastic. We have a park full of jasmine down the street so early in the summer I cross-reference with the real thing and it's pretty darn close.
Cointreau about half of the Tauer line are 'meh' on me and a couple are unwearable. But the ones I love I really love.
Fuzzy Anais Anais is super classy, one of the great budget bargains. I don't wear it well but always enjoy a whiff from passers-by.
Scarlet enjoy your samples! Orange Star is a very bold and modern unisex choice and I'm thrilled that you like it. Re: words, most of us smell very well but finding words for what me smell is very difficult. It doesn't come naturally to perfumers either. They rigorously train their noses my first smelling the most common raw materials in isolation and then moving on to accords (several notes/substances together) and the reference perfumes of each perfume subclass. They are encouraged to take notes (raw material X: the cool cucumber sandwiches my granny made, and cool stones underwater) to create strong and lasting associations and to facilitate learning. I often perceive perfumes as a visual image or a color. Lists of notes bore me - they really don't capture the experience, but of course they are useful when you are doing research.
Spending time with Le temps d'une fete by Parfums de Nicolai. It has a clear narcissus note and a curious green/cool - sweet/warm balance. It's one of those strange, complex but delicate perfumes I would have overlooked when I started out.