Sean Baker’s Oscars Battle Cry (and Mine): Don’t Abandon the Big Screen
The director of the best picture winner, “Anora,” urged viewers to keep seeing films in theaters. Our critic hopes the industry listens, and that Baker keeps his independence.
By Manohla Dargis
It was gratifying to see Baker win for “Anora,” which is the kind of scrappy, low-budget, independent movie that has been making the Oscars more interesting for, well, decades. Each victory for “Anora” also underscored the industry’s existential problems, in part brought about by large companies, including the remaining legacy studios, that have embraced expensive franchises and sequels to the exclusion of art. In the past 10 years or so, some of the best picture winners — the ones that stir up excitement and headlines, and help justify the continued existence of the Academy Awards — have been low-budget features that, like “Anora,” were bankrolled for $20 million or far less, including “Moonlight” and “Parasite.”
There’s a romantic and comforting underdog narrative that accompanies the success of these movies, though as Baker recently pointed out at the Independent Spirit Awards, the economics of indie filmmaking are unsustainable. During the Oscars, Baker again turned the awards circuit into a bully pulpit on behalf of the movies, urging viewers to see films in theaters. “This is my battle cry,” Baker said as he held his best director award. “Filmmakers, keep making films for the big screen.” At that point, the show cut to a wider shot that encompassed the award presenter Quentin Tarantino, another big-screen advocate. I wish they had cut to Ted Sarandos, the co-chief executive of Netflix, who recently told CBS News that he doesn’t “think it’s sacrilege for someone to watch a great movie on their phone.”
https://www.nytimes.com/2025/03/03/movies/sean-baker-oscars-speech.html