Oh wow, Bramshott, that's a cool job.
I'm in two minds about many of the musical initiatives that I've observed round here. It's brilliant to get music into schools, and give all children a chance to try instruments, but it often seems to be just a little too half-hearted - everyone has a little go, some people like it, but there's not much follow-up. If you try the violin and like it a bit, you can have lessons in school, but that's £5 a pop and you have to buy an instrument after a year. I understand budgetary restraints, and don't think that's bad value at all, but nobody's going to be lifted out of real financial or cultural poverty by it.
And then, when you pay your fiver, you find that there's no obligation for your child to practise, so most don't, then find that they don't get very far and give up because it's too hard. I had a long discussion with my DD's violin teacher about this a couple of years ago, when DD was thinking of packing it in after more than two years because she was in a group of 4, where the other 3 never practised and rarely remembered to bring their music, and DD was finding it boring and repetitive. Now, DD is never going to drag her family out of poverty with her musical gifts, but she enjoys playing and is happy to practise regularly if she feels she's getting somewhere. She'll never qualify for free individual lessons, or be spotted for any sort of development scheme. The teacher said that participation was the priority of the music service, that she wasn't allowed to insist on practice, and that her time in our school was allotted according to the total number of children playing, not the sort of groups she'd like to teach them in, so she had to arrange them as best she could. She started giving DD 10 minutes on her own in her lunch break each week to give her a go at her Grade 1, then we moved her to individual lessons at weekends at £10 for 20 mins. Similarly for DD2 on the cello. This is a stretch for us, but we have been lucky that DD1 has a good violin on loan from a friend, and the music service loans cellos out for free. There are free groups for them to play in, and they're both enjoying themselves, but we do have to be able to find the money for the lessons.
I've got into a bit of a ramble, but what I'm trying to say is that if you want music to be truly inclusive, and for all children to be able to make the most of their musicality, resources need to be available to follow up these projects with really good group or individual tuition, otherwise these initiatives are in danger of looking like a bit of window dressing. And of course, resources are a bit thin on the ground at the moment...
I'd love to hear of any really good musical initiatives in this country, where children who might not otherwise have had the chance to play are able to sustain their interest. Other than those involving Gareth Malone (and when did he ever say, 'No need to bother with practice anyone, just turn up when you like and hum along'?)