What are SW’s options, if we assume they’re reasonably financially comfortable and she hasn’t been ditched by her agent or publisher?
And what can we conclude by looking at past patterns of behaviour when the shit hit the fan?
Things she’s done in the past:
(1) kept schtum, been evasive, refused to answer questions and brazened it out, as when TW’s parents tried to question her about the thefts and when CH kept trying to make contact
(2) confessed (at least partially) as a way of garnering sympathy and manipulating victims to not take action, sometimes along with a melodramatic gesture, as with the ‘confession’ letter which begged her sister not to go to the police because she’d get significant jail time, or showing up weeping at the Hemmings’ house with a cheque, claiming to have sold her mother’s things
(3) used TW’s supposed dying as an excuse or relied on other people being reluctant to take action against a terminally-ill man (see TW’s parents being reluctant to take action against SW in case it impacted on their dying son, and Bill Cole repeatedly backing down over them not meeting the terms of their tenancy when TW told him he’d been advised he had only a couple of months left)
(4) cut and run (SW skipping bail, them making it clear to ‘Anne’ they were hiding out from debt collectors at her farm, fine notices showing up at Pen y Mars long after they’d left, leaving Haye farm surreptitiously, mid-tenancy, when BC was clearly beginning to doubt the ‘dying’ thing)
(5) paid people off and bought their silence (Martin Hemmings). Is it possible they’ve used money to buy other people’s silence, too? (The family members who appear to side with them, Dave and Julie? And obviously, TSP having made serious money for PRH and GMC means they’re reluctant to denounce her)
(6) relied on family goodwill to bail them out (‘James’, Anne and others who put them up)
(7) played for time (the entire court case about the house repossession seems to have been delaying tactics, and I suppose it’s what she’s doing now?)
(8) relied on their image, especially TW’s friendliness and charisma and her own shy woodland creature/‘What, little old me?’ thing, to disarm suspicion
(9) relied (naively?) on a change of name hiding their past, and on people from different parts of their past not making contact (till Maxine Garamond phoned BC and CH started digging and brought different sides of the family into contact). It worked surprisingly well for surprisingly long, mind you. I was ‘hmm’ enough about TSP to do some googling at the time and obviously found only that ‘Raynor Winn’ had no online existence before TSP…
(10) relied on ‘little’ people from their past not knowing what to do once they recognised ‘Raynor Winn’ (Hemmings family thinking they might still be bound by his NDA, ‘Anne’ (or was it Cecile?) phoning a couple of police stations about the thefts, and calling the PRH switchboard)
(11) forgery to cover up crimes (at Martin Hemmings’ business, her mother’s bank statements, arguably the copy of Paddy Dillon they ‘annotated’?)
(12) their victims’ reluctance to speak out, whether out of family feeling, embarrassment or simply not wanting their name in the public domain
I’m sure there’s more.