@CassieMaddox And OK, for some women, there will be a proprietary attitude towards "feminine" signifiers. But for many of us, the concern is, rather, the appropriation of our language, spaces, bodies through those signifiers. They're an outward manifestation of what's being demanded/taken. He doesn't seem to make that distinction.
I also think perceptions of the "appropriation" of womanhood through drag & trans identity are complicated by the historic power imbalance between men and women, and long-established use of feminine signifiers to disempower and demean women, and ridicule and emasculate men. Carnivalesque costumes, boy-actors, misogynistic drag act stage-names... men "playing" women has a long history in which the common denominator is the power imbalance and an implicit or explicit demonstration of relative male power. It's certainly not aspirational: it's more often ridiculed. And yes, you could say that this is an argument for normalising it - but also, it should be an argument for empathising with women having an understandable, instinctive sensitivity to it: an inevitable anticipation of it being more teasing than tribute.
There were a few recent threads here or on AIBU about make-up with some interesting discussion about whether it's a weapon of, or against, the patriarchy - demeaning or empowering (OK, reductive, but...) I do think one thing it showed is how impossibly hard it is to separate ourselves from the cultural waters in which we swim. If you live and breathe make-up-as-normal, how can you possibly make that assessment for yourself, never mind in general terms?
He doesn't seem to make much allowance for all these things. For millennia of fear and oppression - and the burgeoning fear that we're losing the gains of just 100 years of meaningful political emancipation as a distinct and valid demographic long denied us in the name of what at least some of these men now embrace, or appear to embrace...