Gasp0deTheW0nderD0g
My impression is that during the brief but intense period when progressives were earnestly supporting the schoolkids who guest edited Oz, leading to a prosecution for obscenity, they genuinely believed it might be oppressive to stop young people expressing themselves sexually.
Bless their hearts, they knew nothing about us! And we could tell the difference between a confused would-be grown-up and a dirty old man in his twenties, too.
I was in the interesting position of not only knowing several of the adolescents who'd helped produced that issue of Oz, but also being at school with and friends with the daughter of the Assistant Director of Public Prosecutions who was responsible, against his better judgement, for the prosecution. (His view was that they ought to have gone for the issue before that one, for the obscenity of which which they'd have been able to make a far better case.)
I doubt very much that any of those young artists I knew thought of it as anything more serious than cocking a snook at their elders, on the whole. It was obviously great fun to do, and a terrific boost to the ego being taken seriously in the adult world like that -- a bit like my own anarchist publication at school, which I enjoyed enormously without in the least thinking it might have serious ramifications. I don't think people of sixteen these days have the slightest idea how heady seeing your work in print was; social media has made it commonplace, but back then it was not at all usual for someone of sixteen to see their work in a national publication.
Whether Felix Dennis had any nefarious intent I would hesitate to judge: my bet is not, but I'm biased.
(And I do know that bootleg copies of the Schoolkids Oz nicked from the store of confiscated matter, to which we mysteriously gained access there were stacks of the blasted things all over the unfortunate ADPP's flat sold at a good price. Shocking really.)