The DM article is just a bigoted, inaccurate dog whistle.
George Ikediashi is a wonderful and accomplished performer and his company has two permanent employees and also employs numerous freelancers. The money is going to his company (where it will pay other people), not to him personally.
I have personal involvement in arts funding and COVID arts relief and someone I'm close to was one of the people who negotiated the arts bailout. There are many factors behind how the money was allocated. I'm not saying I agree with all the choices but each person had to submit a detailed funding application showing exactly how they would use the money and the timeline and budget for the proposed project.
One of the requirements of the fund was that projects aimed at creating work during the period autumn 2020-spring 2021 would be prioritised, as the fund is intended to keep the arts going during this pandemic and because the government is/was working under the impression that theatre will be on the road to getting back to normal by spring 2021. This obviously hinders large companies and helps small companies and especially companies that produce one-person shows, since the fewer people involved, the more easily you can abide by COVID restrictions and the faster you can get a show into production.
I know that one respected festival was turned down because their application was for a project that would not start until August 2021. It was turned down purely based on the proposed timeline being too far into the future. Yet people handwring over "but whyyyyy did this festival not receive funding!"