m.huffpost.com/us/entry/romantic-comedies-teach-women-that-stalking-is-a-compliment_us_56a8fa1fe4b0f7179928a17d
Interesting report stating that some romcoms normalise stalking behaviour.
An excerpt:
Romantic Comedies Teach Women That Stalking Is A Compliment
A new study suggests rom coms perpetuate dangerous myths, and make it harder to prosecute stalkers.
The study, published recently in Communication Research, found that participants who watched movies in which men’s “persistent pursuit” of women was depicted as romantic as it so often is in rom coms were more likely to subscribe to stalking myths.
Stalking myths are the misconceptions that underpin our conventional wisdom about the crime. They include ideas like "many alleged stalking victims are actually people who played hard to get and changed their minds afterwards," "stalking has no serious, lasting impact on the victim," and the notion that lots of stalking "could be avoided if the alleged victim would have just told his/her stalker clearly that s/he was definitely not interested in a romantic relationship."
The study, published recently in Communication Research, found that participants who watched movies in which men’s “persistent pursuit” of women was depicted as romantic as it so often is in rom coms were more likely to subscribe to stalking myths.
Stalking myths are the misconceptions that underpin our conventional wisdom about the crime. They include ideas like "many alleged stalking victims are actually people who played hard to get and changed their minds afterwards," "stalking has no serious, lasting impact on the victim," and the notion that lots of stalking "could be avoided if the alleged victim would have just told his/her stalker clearly that s/he was definitely not interested in a romantic relationship."
And then, there’s the myth that is central to so many romantic comedies: "An individual who goes to the extremes of stalking must really feel passionately for his/her love interest." He stalked you because he just loves you so much. It’s romantic.
Take the scene in "Love, Actually" in which Keira Knightley’s character discovers that her new husband’s best friend has been secretly filming her while simultaneously treating her like garbage -- the former because he claims to love her, the latter as "a self-preservation thing." She’s shocked, but the movie directs us to overlook the total creepiness of the close-up camcorder shots he’s taken and hoarded in his apartment, and to instead empathize with his tortured, unrequited love. Later, when he shows up at Knightley's character's house and wordlessly professes his love while her husband, his best friend, sits unknowingly upstairs, it’s supposed to be the romantic climax of their storyline, and it remains one of the most beloved moments of this modern classic."