I just saw this last night, and also came looking here for a thread on it. Thanks for posting those articles, smartalec - the second in particular is great.
goats, I see where you are coming from, but I think that the film also complicates those binaries. The Wives are not just shrieking victims - they often partake in the fighting, even as they are conflicted about violence. I don't think their representation is perfect, by any stretch of the imagination, but at least Miller is aware of lazy stereotyping and tries to complicate it. Sure, not always successfully, but it's a damn sight better than what it could have been in the hands of, say, Michael Bay or Zach Snyder. One of the articles mentions the long shot where Max first sees the wives - I think this was really interesting, because THAT was the film that could have been made, but wasn't. I also appreciated not seeing any of their abuse in the Citadel. I was less enthused by the "bait" scene, but liked that it was undercut by Furiosa calling out her kin history. And Furiosa goes completely against the Earth Mother stuff (as do many of the women, actually, who are extremely pragmatic about violence - and they weren't all old).
And I don't mind her being called Furiosa - it may mean mad (but remember the franchise is called Mad Max, making them equals in that), but it also means angry. And so she should be angry. It's strongly implied that she was kidnapped for breeding purposes herself, after all.
I really liked the mother-daughter stuff. So many films are obsessed with competitive and conflicted father-son dynamics. I liked that this film said - well, maybe there's another relationship that should be explored and might be productive.
The film is a clear critique of Western culture - patriarchal gender structures, climate change, capitalism. I think this is a good thing, and what allows it to be claimed as "feminist" in a way. The women in it are complex characters, challenging and complicit in different degrees. Isn't that what feminism is about though? Questioning the singular presentation of femininity in popular culture? This film might be flawed, but a step in the right direction surely.