I've been following this thread with interest and the recent posts from dittany, saf and sakura, all of which mentioned Dworkin's remarkable focus on real women, real lives got me thinking: is this perhaps where EngLit and radical feminism part company? Because literature is not real women, or real lives. And the bedrock of English Studies depends on critics not treating them as real women, real lives. And, powerful as it is, that's not literary analysis. I'm not talking about authors here, but characters.
Equally though, author's aren't 'real' women, not in the context of EngLIt; no authors, male or female, are. Apologies if I'm patronising anyone here, but Roland Barthe's 'Death of the Author' insists that the birth of the reader can only come about with the Death of the Author. Basically, once a text is written, the author has no claim on it any longer - all the meaning comes from the reader. This is immensely liberating - it puts an end to anyone being able to say 'actually, Shakespeare/Keats/Amis doesn't mean THAT. He means THIS'. All readings are valid as long as it's in the text itself. It puts power in the hands of the reader. It means that we can read patriarchy into texts. (It's also why Sexual Politics can sometimes seem dated: from an 'analysis' point of view, not as an 'important political document' one). But it also means that examining a text as an extension of its author is also eliminated.
Hmmm, I'm not sure this works. Because Dworkin identifies repressive structures, and Daly character types.
As an aside, I checked our standard intro to theory, which all students have to purchase, and Millett is in there.