I think, for me, part of the difficulty I've had with my students was that most of them felt two things very strongly:
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We know all of this stuff! We know women are equal (?!), women had it bad in the past, and Rape is Wrong. We don't need to be told!
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We are studying something we paid for; we do not have time to speculate on irrelevancies (and we can recognize what's irrelevant and what's not).
Both of those are perfectly sensible, natural ways to think and I'm not slating them because I felt the same when I did my degree - impatient with things when I didn't see how they related to my subject.
So, my job is partly to show how things are related, and why what may seem 'irrelevant' is actually important. This will make my students better at their lit.crit. - it's not a side project.
With my students and the text I mentioned about rape, there is a huge amount of modern criticism exploring what that text is doing, what strategies it is using to push you, the reader, into a particular position. I don't know why, but I think lots of us as undergraduates fall back on the idea that the past is the past, and if you are uncomfortable with a text, that's the wrong reaction. Critics writing on Chaucer, though, will give you ways to articulate how this text is deliberately using rape as a means to make its readers feel disturbed and uncomfortable; it's deliberately presenting a story about rape and male dominance in order to make you take issue with those ideas. Whether you think Chaucer further reinforces male dominance and male structures of telling stories (in which women are sidelined), or whether you want to argue he might have been arguing against misogyny in his culture, you have to face up to the strategies of the text.
Next time I teach that text, I might see if i can give the students something by, maybe, Dworkin on rape, just so I don't get the same response from one of them that I got this time. But I might run up against the problems 1 and 2 above - that they feel they 'know' already that rape is wrong (not that that is the basic lesson!), and they're not sure morality is relevant. But the lit. crit. is good, powerful stuff that really analyses how texts work. It's not, imo, 'soft' feminism, it's a really good tool that I think teaches women how to say 'this text makes me uncomfortable, and I can tell you why that's so'. It means you have an answer when people say 'oh, it's just [an advert, a story], you shouldn't be so emotional'.
I would like to teach more feminist theory, but I just wanted to explain how my teaching goes and what I do manage to get them doing. I'm just starting out with my teaching but I don't think because we don't teach theory, we don't tackle questions, if that makes sense?