Oooh. I've read "Second honeymoon". I didn't read it like that.
i thought the point JT was making was that women often hide behind having children to protect themselves from the possibility of failure when they go after what they want. So the actress lady has had slightly unrealistic ambitions about her acting career and hasn't reality checked them (taking the voice-over work) and hasn't really full-on pursued her ambitions, either. That said, i think JT does give space to the fact that having dc will take huge chunks out of your life/career. and that ageing , for women, is hard and has a bigger impact than for men.
So, the dc leave home, she goes for this job, half-heartedly, she gets it ... and it doesn't progress to a west-end run. BUT it doesn't kill her, and she realises she can keep on working. Though, as an actress, her age is going to be a huge factor against her.
With the dil, doesn't the son agree to become a house-husband?
Agreed, she's no revolutionary feminist, but I do think she writes in an interesting corner of women's lives.
And I do like the fact that all her novels begin way after the place that romantic fiction ends ie well after the wedding. So "Second Honeymoon" pitches right in with that rather unexplored part of women's lives - when the kids leave. Which is such an interesting place, given that we spend so much of lives defined by having children/not having children/being carers and so on.
There, just one way to read it!
(Sorry - but I really am thanking you for the chance to discuss JT!)