19 Witch Trial - Harriet Tyce
Courtroom drama focusing on two Edinburgh schoolgirls accused of scaring a friend to death by playing around with satanic witchcraft - as seen through the eyes of walking unreliable narrator trope/juror Matthew. Quick read and enjoyable nonsense to get me through some recent sick leave, with frankly laughable descriptions of demonic apparitions (baaing sheep coming out of the toilet walls, anyone?), but the ending was actually quite clever.
20 Heresy - Catherine Nixey
Before Christianity became the state religion of the Roman Empire, it was more of a braided river than a single torrent, with multiple narratives of the life of Jesus and his relation to the cosmos and other divine beings, and competing texts, many of which did not make it into the Bible we have today. Not only that, but these narratives drew on religious themes already prevalent in the ancient world - healer gods, semi-divine saviour sons of gods (aka Roman emperors), wonder-working magicians and miraculous births.
Not really new material if you’ve spent much time in the ancient world, but she spins it into an entertaining story with short chapters on different themes rather than a chronological history (for the most part). This left me feeling I would have liked a little more sense of the timeline and interrelation of the different ‘Christianities’. One thing is clear: the Romans weren’t always tolerant, but the mainstream Christians were absolutely vicious in their suppression of anything but the party line once they got hold of power.
21 Ghost Wall - Sarah Moss
Found myself out and about without a book the other day (shock, horror!) so had to nip into the library to grab something, and I’d been meaning to read this for a while. The brutal opening had me hooked from the start - it’s one of those novels where you get a real sense of the physicality of the human experience, which is one of the things I love in fiction.
Teenage Sylvie and her mum are being forced by her controlling father to spend their summer in a full immersion Iron Age reenactment, while he indulges his fixation on the ‘purity’ and brutality of the past, in particular the ancient bog body sacrifices of Northern Europe. Sylvie’s growing fear is racheted up in a way that makes this an uncomfortable page turner, with the message of the bog sacrifices becoming increasingly clear to us and to Sylvie - that men have hurt and broken the things they love since time immemorial.
First fiction bold of the year. Never read a Sarah Moss before but will definitely look out for more now.