Happy birthday @MamaNewtNewt
Hugs @EineReiseDurchDieZeit for your feeling of connection with the horrible things in The Names
@RemusLupinsBiggestGroupie oh no! Hope it's not too long a wait for you. When my mum is feeling low, she always reaches for Wodehouse - any good? They're just so silly and SAFE.
My second read of 2026 is The Marriage Portrait by Maggie O'Farrell. It's the story of Lucrezia de' Medici, believed to be the woman in the portrait described in Browning's My Last Duchess. She was married off at 15 to the older Duke of Ferrara, and a year later was dead - officially of a fever, but rumoured to have been murdered by her husband.
The narrative jumps back and forth from Lucrezia's childhood in Florence, the early days of her marriage, and the days leading up to her death. The atmosphere in all three is claustrophobic and suffocating, as Lucrezia is passed from her uptight aristocratic family to her coercive controlling husband.
It's a couple of years since I read Hamnet but from memory I would say the here is similar - intense, present-tense narration with a deliberately over-rich use of imagery, leading to an almost hallucinatory feel.
Interesting that Wolf Hall has come up today as this was what I was mentally comparing it to while reading. I would say both authors have skilfully captured that awful paranoid, confined atmosphere that we associate with C16th courts, where loyalties can suddenly change, and a single unwise word or action can have serious consequences. Mantel, I think, does this quite coolly, whereas O'Farrell kind of chucks the baby, the bathwater and the rubber duck at your head to make her point.
I did enjoy it, but I'm exhausted!