A few to catch up on.
I’m a confirmed fan of Sarah Moss’ since reading Summerwater earlier this year and am now catching up on her earlier books. My latest are Bodies of Light and Night Waking.
Whilst I really enjoyed both, I didn’t think they were up there with Names for the Sea (non-fic Iceland memoir), The Fell or Summerwater. They are both longer than the latter two novels and don’t use the stream of consciousness style.
Bodies of Light is historical; we meet Elizabeth, her puritanical mother and her fiancé in Victorian Manchester. The wedding, honeymoon, and birth of Ally, the first of 2 daughters, are covered in the first couple of chapters, allowing us to see how Elizabeth’s fanatical austerity has been formed by her own upbringing. We then spend the rest of the book with Ally as she grows up under this righteous mother who shoots down any joy as if by reflex, and internalises the views of her mother. It is certainly not unrelieved - both Elizabeth’s sister and Ally’s escape this joyless cycle, and the father is decent. Ally’s mother does laudable social and campaigning work and the book is thought provoking about the line between doing good and do-gooding. Ally herself escapes to train as one of the first female doctors, and we see the resistance the women encounter from men.
Night Waking is mainly contemporary, though there are sections where we read historical letters and the main character is prompted by events to research the history of the island. Via the letters, there is an intersection with Bodies of Light, though the novels are stand-alone (actually Night Waking is the earlier, I read them out of order). Anna is an academic who has followed her husband to a (actually ‘his’, as the ancestral heir) remote Scottish island so that he can observe puffins while she struggles to raise two small children. I preferred this to Bodies of Light, though I found it rather over-long, as there is sharp comedy about the exhausting and frustrating experience of being the main carer for small children and fearing for your career. As well as the comedy though there is also environmental and social-injustice guilt and the book sent me googling a couple of fascinating but very sad topics.
I wouldn’t recommend either as a first Sarah Moss, but they are still excellent books and I enjoy her tone, themes and sensibilities.
My holiday read was Susie Steiner’s Persons Unknown. This was the second Manon Bradshaw, thanks again Welshwabbit, and as in the first I enjoyed the mystery, and the characters and their relationships, as Manon encounters a case that falls close to home.