Thanks southeast. Will go back and read everyone's posts later, but wanted to mark my place so I don't lose the thread.
My list so far - no real horrors so far. It's more heavily skewed to fiction than usual, so am going to do something about that. I feel as if I have more books than usual on the go, so am going to try to wrap some of those up before starting anything new.
1 The Railway Children by E Nesbitt
2 State of Terror by Hillary Clinton and Louise Penny
3 Rachel’s Holiday by Marian Keyes
4 Sorrow and Bliss by Meg Mason
5 Three Twins at the Crater School by Chaz Brenchley
6 The Awakening by Kate Chopin
7 The Midnight Library by Matt Haig
8 The Victorian Chaise-Longue by Marghanita Laski
9 Homeland Elegies by Ayad Akhtar
10 Wildlands by Evan Osnos
11 The Wolf Den by Elodie Harper
12 Trials for the Chalet School by Elinor M Brent-Dyer
13 Empire of Pain by Patrick Radden Keefe
14 It Must Be Love by Caroline Khoury
15 Ghost Wall by Sarah Moss
And then two new additions...
16 Rodham by Curtis Sittenfeld
I’ve encountered mixed reviews of this, but I found it very satisfying and a really good read. Very much in the same vein as American Wife, which I loved, although tighter and more discursive. It looks at what would have happened if Hillary Rodham had said no when Bill Clinton asked her to marry him. Clinton comes off very poorly in the book – without the burnishing sheen of a Presidency he really appears deeply unpleasant, though incredibly charming, whereas Hillary is a sympathetic, complex but incredibly well intentioned character. Lots to reflect on around gender and other themes. I really enjoyed this, though I wasn’t 100% sure that the Trump cameo really did what she hoped it would, particularly in view of what unfolded during his presidency. Much of the book must have been written by the time his presidency was well underway. I think knowing what we know now about Trump, the least believable bit of the book is his part.
17 A Dark Adapted Eye by Barbara Vine
Faith’s aunt Vera was hanged for murder when Faith was in her late teens. Faith narrates the tale of her family when approached by a true crime writer, and looks back on her childhood and her relationships with the prim and rather unpleasant Vera, her younger, glamorous (though equally unpleasant) aunt Vera and her cousins Jamie and Francis. The tale of what drove Vera to murder unfolds gradually, with diversions along the way – into family history, local history and other events that may or may not have had a bearing on what happened. A lot of the novel is set during WW2, and so rationing, the Blitz and fear for those fighting overseas plays a big part in Faith’s memories.
I’ve never read any Vine (or Ruth Rendell, for Barbara Vine is the “whydunit” pseudonym of Rendell) but on the basis of this I’m going back for more. I listened to this as an audiobook and therefore found the whole family history a little confusing initially as I don’t concentrate as well as I should when listening to fiction. I think I probably missed some of the nuances as well, as this is a book that unfolds and unfolds, and things you thought you knew are challenged, and then challenged again. In that respect it’s very cleverly done. It was engrossing and diverting and disturbing, and one of the best crime novels I’ve read in years.