I'm working my way through the Women's Prize list in no particular order. I've managed to find quite a few as audiobooks across a few libraries, which has sped things up.
The Island of Missing Trees - Elif Shafak
Set in two timeframes this explores forbidden love in Cyprus between Greek Christians and Turkish Muslims at a time of civil war in the 70s. The modern storyline is of a teen coming to terms with the death of her mother. The two timelines are woven together through the thoughts of a tree that bore witness to both times.
I'm generally not a fan of magical realism and this was not for me. It was well written and informative, dealt with the relationships well, but I draw the line at talking trees. I'm can see why other people would enjoy this, there's a lot in of good stuff in there.
My journey through the prize list then led me to
The Book of Form and Emptiness - Ruth Ozeki
which is about a teenager being slowly driven mad by objects talking to him as he comes to terms with the death of his father. It looks at people's dependence on material possessions, sentimentality and also the joy and solace of books.
Despite the magical realism, I enjoyed this a lot more and it made some interesting points about relationships, however can everybody please stop with the talking objects.
The Sentence - Louise Erdrich
Erdrich is a native American who writes through that lens without beating you over the head with it. In this book she explores the early stages of the pandemic and the murder of George Floyd and the BLM protests that followed. The action is set in a book store haunted by it's most annoying customer. It also goes into the joy and solace of books and comes with a long list of book recommendations that I will definitely be taking up. I really liked this and want to read more of her work. Her writing is a cut above the others I've read so far.
The Paper Palace - Miranda Cowley Heller
A mother in her 50s is spending the summer at a cabin on Cape Cod with her family. Next door, her childhood sweetheart is in residence with his family.
One night after a few drinks they sleep together without their partners knowing and he begs her to leave her husband. She must decide what to do and explores the events that drove them apart.
I am very conflicted about this one. It's very compelling and readable, but deals with some very heavy subjects such as rape and incest. I think it bordered on sensationalising the abuse rather than handling it particularly sensitively and I came away with the grubby feeling of having been rubbernecking a car accident. I can see this being picked up for film rights.
I'm halfway through Great Circle on audio which I love so far. I've also just started This One Sky Day as an ebook.