@Gremlinsateit
Yes she clearly has interpreted it as a sweet little version of “thunderstruck”.
That’s true about Margot - she does do some awful things later, but she has been thoroughly scapegoated since a young age for doing things I think are quite developmentally appropriate, and seems to be in more trouble for those than eg the bookend.
Absolutely. Show me the three year old who doesn't throw earthshattering tantrums from time to time and go blue in the face in the crisp aisle in the supermarket at some inconvenient moment.
The weird bit there and I've not read Jo to the Rescue in aeons, but I think it was in that one (which is a pretty weird book, anyway) is that Len and Con, also three, are so thoroughly versed in hushing it up, rather than throwing tantrums of their own. (Had EBD ever actually met a three year old, do you suppose?)
Margot is one of those girls EBD seems rather conflicted about -- she's the tempestuous redhead who is always about to reform, but never quite does, but is somehow given far more leeway than other girls, presumably because of her parentage, and of course is never damned by the school as having been damaged by bad childhood 'training' or 'heredity', and ends up heading for being a missionary nun.
But EBD herself doesn't seem to realise at all what an unpleasant, violent, uncontrolled character she has created in Margot, and even stuff like Grizel in Reunion meeting the triplets for the first time in years and being very critical of Margot's good looks, dubbing them 'showy', is strange and interesting considering it's being applied to a 'Perfect' Maynard.
It's as if EBD was caught between wanting to write Margot as an interesting bad girl who reforms (though that is usually a plotline that happens when a new girl with an unhappy past joins the school and changes over one transformative term -- whereas Margot is a wonderfully-raised Freudesheim child with perfect parents) and wanting to do something more psychologically complex (reform isn't instant or forever), but being hampered by the fact that she's set up the triplets as three 'flat' characters who are just there to illustrate three aspects of Joey's character, the Butter-In (Len), the Dreamy Writer (Con) and the Madcap (Margot).
Plus there's the fact that all badness in the CS world can be explained by unhappiness due to a 'warped' or neglectful or unloving upbringing, but Margot has had none of that in EBD's eyes, so she has to keep bringing Margot's violent temper down to nature (her 'devil') rather than nurture.