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What novel by an author whose previous work you loved has most surprised or disappointed you?

242 replies

Stonehopper · 07/02/2021 15:48

Inspired by having just read a bad first novel by an author whose previous published work a collection of short stories was extremely good, widely acclaimed and multi-prize-winning.

It's not so much that I'm disappointed as that I'm completely baffled as to how an experienced writer who wrote a psychologically acute and dazzlingly well-written collection of stories, which entirely deserved their praise and prizes, could have gone on to write such a banal novel, which commits every possible beginner writers' mistake clichéd adultery plot, far too many characters who aren't differentiated from one another, an antagonist whose age varies, barely sketched-in settings, lots of small errors like variations in how long ago something major happened and how far apart places are and an unintegrated subplot about a dead friend and a past friendship group none of whom are ever described other than in brief asides, so it's hard to care about them at all other than wonder what they're doing in the novel.

(And this came out with a major publishing house, so how come her editor didn't clock lots of the small inconsistencies, even if the author got confused?)

Anyway -- it got me thinking about other writers whose previous work I've loved but then been disappointed by when they brought something new out. The other example I can think of is Hilary Mantel's The Assassination of Margaret Thatcher, which I felt was a loop back to the repellent nastiness of her earliest published novels, and away from the wonderful first two Cromwell novels.

Anyone else?

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Ormally · 08/02/2021 23:07

Dahlia, sorry, I never answered you. Have been thinking why I said it gave me the rage (going beyond just not being as humorous as I was hoping). There is a really good, long, review on Amazon by someone with the name of Arturo that sums it up better than I could - this is a quote taken from it:

"As a novelist, Lodge is versatile and a virtuoso of multiple forms. This autobiography, for all that it is well-written, is a straight ‘this happened and then that happened’ account, which lends itself more to the narration of external events than to an exploration of the world within. He is too much a master of style and for that matter of the issues around narrating consciousness (as in ‘Thinks’) for this to be accidental, so it must, for whatever reason, have been a deliberate choice."

I also found it odd that a 10 year period from the longer years that the book claims to cover takes up the real lion's share of the pages, but the time later than this is covered quite perfunctorily and, by comparison, squashed in.

Fuckingcrustybread · 08/02/2021 23:13

@NotYourReindeer

I am not a big reader, I have ADHD and find it hard to concentrate at times whereas occasionally I get completely OTT obsessed with an author and read everything they've done (or try to) in the space of a few months.

I did this with Marian Keyes and was SO disappointed with The Break,it wasn't a patch on anything else she'd done. I didn't love all her other books but still enjoyed them to a degree but my gosh, The Break really put me off.

I see she has a new book out and I haven't read for so long and really want to get into residing again, will it be worth it though....!?

Marian Keyes latest book make sure that you have a pen and paper to write down each character and their relationship to the others. Do this before you even start the book. There's a flowchart of the characters at the beginning. I read it on a kindle so I really couldn't be bothered to go back and work out exactly who was whom. Apart from that it's ok!
mammmamia · 08/02/2021 23:19

Louis de Bernieres, I loved his Latin American trilogy and Captain Corelli. Was so excited about the Dust that Falls from Dreams, the plot sounded like it was going to be so good, great premise and subject matter. But it was so dull and I was so disappointed.

DahliaMacNamara · 08/02/2021 23:20

Ah, I see, Ormally. I felt a similar disappointment with Elizabeth Jane Howard's autobiography, Slipstream. It was in many ways a good insight into where she got the inspiration for many of her novels, the Cazalets in particular, but I found it somehow un-engaging. It was as if she'd turned into one of those writers alluded to upthread, who creates characters we don't care about.

Whatamesssss · 08/02/2021 23:30

Land of the Painted Caves, Jean M. Auel. The last book in the series. Took ages for anything to happen and when it did, I didn't like it and it seemed out of place. Very disappointing.

Holothane · 09/02/2021 00:10

Thank you I couldn’t think of it’s name I couldn’t finish it that awful song in it, compared to the first don’t get me started.

RAOK · 09/02/2021 00:39

Yes to Nine Perfect Strangers being unbelievable and ridiculous.

IdblowJonSnow · 09/02/2021 02:06

Transcription by Kate Atkinson was such a disappointment for me. I can't say I hated it or it was bad as such, but i just couldn't connect with the character, whereas usually her characters are immensely relatable even if you don't quite like them.

LawnFever · 09/02/2021 03:46

@IdblowJonSnow

Transcription by Kate Atkinson was such a disappointment for me. I can't say I hated it or it was bad as such, but i just couldn't connect with the character, whereas usually her characters are immensely relatable even if you don't quite like them.
Yes exactly the same, it was ok, I didn’t hate it but her books are normally so amazing I had such high expectations.

It’s nowhere near Life after Life or A god in Ruins

Ruthietuthie · 09/02/2021 03:56

I was about to say Donna Tartt's books, but see @JoannaDory has beaten me to it. What a disappointment after the Secret Histories, which I loved.

Nitflux · 09/02/2021 04:01

@dementedma Came on here to say exactly the same. Loved The Night Circus - pure magic (literally). Couldn’t finish the Starless Sea. What an epic disappointment.

BikeRunSki · 09/02/2021 04:01

@SeeyouontheothersideofCovid

Douglas Kennedy for me. All earlier books had a unique take, were well written with interesting plots.

But the later ones seem to be writing by numbers - very formulaic and they feel that he's just banging them out for the income and not very interested in actually writing them anymore.

I totally agree. The recent one set in Northern Ireland had so much potential and all the DK key features (strong female lead, unstable political background) and never really went anywhere.
Mindlesspuzzles · 09/02/2021 09:50

Not read the Testaments, but having been a big Margaret Atwood fan I read The Flood and put it down about 3 pages in - I just felt it was going to be a very depressing book and not depressing in an interesting way.

Hilary Mantels Cromwell books are certainly in a different league from Beyond Black , which I did finish but really only because I recognised a lot of the locations.

Interesting that a pp mentions Curtis Sittenfield, have loved all of hers that I've read, am wondering which the disappointing ones are.

Stonehopper · 09/02/2021 10:00

I thought Eligible was beyond awful, @Mindlesspuzzles, but had only read Prep and American Wife before that -- but I remember reading a few pages of Eligible and actually going back to the flyleaf to check it was the same Curtis Sittenfeld, in case there were somehow two novelists with the same distinctive name, because I didn't think the author of Prep and American Wife could have written this mindless commercial pap.

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Mindlesspuzzles · 09/02/2021 10:58

Thought it might be, Stonehouse. Modern updates of classics often go badly.

I've read the 2 you mentioned plus Sisterland , all v good.

Stonehopper · 09/02/2021 11:08

@Mindlesspuzzles

Thought it might be, Stonehouse. Modern updates of classics often go badly.

I've read the 2 you mentioned plus Sisterland , all v good.

Did you like it, though, or think it stood up to her other work? I literally thought I must have overlooked the existence of a different Curtis Sittenfield.
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Mindlesspuzzles · 09/02/2021 13:53

Do you mean Eligible?

I haven't read it. Probably put off by the concept.

Watercoloursky · 09/02/2021 13:56

Most of mine have been mentioned already - 'The Secret History' is one of my favourite books that I can read and re-read (though I agree with a PP who said the characters are much less likeable now I'm older!), but I found 'The Goldfinch' deadly dull and couldn't finish it.

I also really liked Caroline Kepnes' 'You', I thought the narrative voice was really compelling (if horrible - incel culture personified, just chillingly well written), but the sequel just wasn't the same, it felt like soapy fan fiction.

This might be controversial, but I adored Hilary Mantel's 'A Place of Greater Safety', but couldn't get on with 'Wolf Hall' or either of its sequels. Didn't particularly enjoy 'Fludd' or 'The Giant, O'Brien', either, though 'Beyond Black' was ok. None of those disappointed me as much as the Cromwell books, though, I think because my expectations were so high.

As another poster said, I loved 'Beloved' but haven't enjoyed any of Toni Morrison's other books - will have to try an audio version, thanks for the recommendation!

Oh, and I mostly liked 'Oryx and Crake', but have never enjoyed any of Margaret Atwood's books as much as I did 'The Handmaid's Tale'.

HeronLanyon · 09/02/2021 14:01

Geoffrey Household - Rogue Male - a treasured favourite book.
All others he wrote pretty awful.
A High Wind in Jamaica - extraordinary book. Not so ther things written by (Hughes?).

Watercoloursky · 09/02/2021 14:02

I also agree with a PP that Jodi Picoult is very formulaic... I enjoyed the first couple of her books that I read, but the more you read, the samier they are!

Phyllis321 · 09/02/2021 14:03

I adored The Sterkarm Handshake by Susan Price, in fact it’s one of my favourite books, but its sequel A Sterkarm Kiss was a real let down.
Emotionally Weird by Kate Atkinson was mediocre compared to the brilliance of Human Croquet.

Lifechange2020 · 09/02/2021 14:07

The latest Tony Parsons book! It was terrible!

Stonehopper · 09/02/2021 14:33

@Phyllis321

I adored The Sterkarm Handshake by Susan Price, in fact it’s one of my favourite books, but its sequel A Sterkarm Kiss was a real let down. Emotionally Weird by Kate Atkinson was mediocre compared to the brilliance of Human Croquet.
I'd completely forgotten The Sterkarm Handshake -- that was rattling good fun! And yes, the sequel was a very poor affair.

I do think (and I adore The Secret History) that part of the point is that all the characters of whom Richard Papen approves are by definition ghastly psychopathic Henry, crashing intellectual snob Julian, thicko leech Bunny etc etc and probably the minor characters he and the others despise as unworthy (like Judy Poovey, whose main crime appears to be being a bit of a Valley Girl with an 'intensely aerobicised midriff') are probably ordinarily pleasant human beings who just don't go in for bacchanalia, murder and incest on the average weekend.

Richard just has a bad case of 'They're different when they're with me!' about the Greek class, because they allow him into their hallowed number, and he thinks it makes him windswept and interesting to the point where he fakes up their picturesque 'old money' aesthetic from a charity shop even before they admit him.

I think it's one of the strengths of the novel that we mostly buy into Richard's estimation of them until their ordinarily tawdry afterlives show us how much he glamourised them earlier, and that they're also ordinarily awful.

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IEat · 09/02/2021 14:41

Not quite the same but I read Martina Cole then I heard her speak so now when I read her books it’s in her voice! So annoying

Watercoloursky · 09/02/2021 15:08

@Stonehopper you have expressed my change of heart about The Secret History perfectly! I first read it when I was a teenager and I think I got a bit swept up by the characters - I found them horrifying, but in a fascinating way, if that makes any sense? I totally bought into Richard's admiration of them, which is a bit troubling, looking back on it now. Not that I was inspired to murder anyone, mind, but I definitely admired the aesthetic, the immersion in Classical myths (and may have tried unsuccessfully to teach myself ancient Greek as a result). Maybe teenaged me wanted to be 'windswept and interesting' too?

I've read it several times since, and when I revisit it now (in my 30s) I feel very differently about it - it's still a compelling read, but the Greek class seem more pretentious than sophisticated - and, as you say, such awful human beings! I certainly feel more charitable about characters like Judy too now. Really interesting how a story can resonate with you differently at different ages.