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What novel by an author whose previous work you loved has most surprised or disappointed you?

242 replies

Stonehopper · 07/02/2021 15:48

Inspired by having just read a bad first novel by an author whose previous published work a collection of short stories was extremely good, widely acclaimed and multi-prize-winning.

It's not so much that I'm disappointed as that I'm completely baffled as to how an experienced writer who wrote a psychologically acute and dazzlingly well-written collection of stories, which entirely deserved their praise and prizes, could have gone on to write such a banal novel, which commits every possible beginner writers' mistake clichéd adultery plot, far too many characters who aren't differentiated from one another, an antagonist whose age varies, barely sketched-in settings, lots of small errors like variations in how long ago something major happened and how far apart places are and an unintegrated subplot about a dead friend and a past friendship group none of whom are ever described other than in brief asides, so it's hard to care about them at all other than wonder what they're doing in the novel.

(And this came out with a major publishing house, so how come her editor didn't clock lots of the small inconsistencies, even if the author got confused?)

Anyway -- it got me thinking about other writers whose previous work I've loved but then been disappointed by when they brought something new out. The other example I can think of is Hilary Mantel's The Assassination of Margaret Thatcher, which I felt was a loop back to the repellent nastiness of her earliest published novels, and away from the wonderful first two Cromwell novels.

Anyone else?

OP posts:
Ellmau · 19/02/2021 21:39

Jonathan Kellerman. His first five or six Alex Delaware books were really good, then he went downhill culminating in the nadir of awfulness that was The Web - utterly ridiculous plot and not very well written either. He's improved again since, but still well below the early books.

PhantomHawk · 19/02/2021 22:16

A lot of suggestions for The Goldfinch which I find really interesting. I read The Goldfinch a few years ago and, while I agree that it gets a little dull in places, I enjoyed it overall.

Now, somehow The Secret History passed me by and I've only recently read it. What a load of pretentious claptrap. Nothing happens outside of about 60 pages of the book (far less than happens in the Goldfinch) and what does happen is utterly bizarre. I have no issue with character driven novels over plot driven, but this had neither. If felt like Tartt was trying to say something she didn't quite achieve.

People have raved about this book for so long and I have come to the conclusion that in 1992 it was an outstanding piece of fiction but we have now moved on and there is much better of a similar ilk to be found. I'd be interested to hear thoughts of anyone who has read or re-read recently - I may, however, still be alone in my dislike of this book!

WhistlersandJugglers · 19/02/2021 23:05

I love all the Lionel Shriver books-even the tennis one. She does have a very strong voice but I enjoy how mean she is. She had a great article in The Sunday Times last weekend.
I agree that Eligible by Curtis Sittenfeld was dire. I usually enjoy her books. I was a little disappointed with Rodham but I think my expectations were too high.
I loved The Secret History, abandoned The Little Friend and almost threw The Goldfinch across the room because no book ever had more plot holes. Par for the course of this thread I think.
I've had a love/hate relationship with Douglas Kennedy for 20 years and feel he should re-read The Woman in the Fifth and apologise to me for the hours I wasted on that. I'd forgive him on balance though.

AlbertCampion · 21/02/2021 01:46

@PhantomHawk I completely agree about A Secret History! I had heard such wonderful things and kept waiting for it to kick in, but it never did. Don't get the fuss at all.

Iceskatingfan · 21/02/2021 01:50

The Casual Vacancy by JK Rowling. I knew it was a totally different style to Harry Potter but still though she was a good writer and I would enjoy it. I read the whole thing waiting for it to improve! It was sooooo depressing also. I quite like the Robert Galbraith books though.

InglouriousBasterd · 21/02/2021 01:57

Captain Corelli’s Mandolin was the first book I was so caught up in, aged 14, that I lost track of time and read it all night. Beautiful book that I still love.

Everything else by Louis De Bernieres has been so disappointing in comparison.

Also the Testaments - very much a crowd pleaser as opposed to the terrifying original.

Bainne · 21/02/2021 07:26

@PhantomHawk

A lot of suggestions for The Goldfinch which I find really interesting. I read The Goldfinch a few years ago and, while I agree that it gets a little dull in places, I enjoyed it overall.

Now, somehow The Secret History passed me by and I've only recently read it. What a load of pretentious claptrap. Nothing happens outside of about 60 pages of the book (far less than happens in the Goldfinch) and what does happen is utterly bizarre. I have no issue with character driven novels over plot driven, but this had neither. If felt like Tartt was trying to say something she didn't quite achieve.

People have raved about this book for so long and I have come to the conclusion that in 1992 it was an outstanding piece of fiction but we have now moved on and there is much better of a similar ilk to be found. I'd be interested to hear thoughts of anyone who has read or re-read recently - I may, however, still be alone in my dislike of this book!

But the pretentiousness is part of the point, I think. Richard, dropping Latin tags and Rimbaud from the first line, thinks he’s better than his banal, suburban upbringing, and fetishises the what he perceives to be the picturesque elements of Hampden and the conceited, clever, eccentric Greek class, in the process reinventing himself as a tweed-clad, old-money aesthete with a similar love of the classics — even though in fact he’s only previously studied Greek in California because the class met in the afternoon. He is lonely and projects all his hopes and fantasies onto five people who are in fact misfits like himself, and/or just acting out undergraduate pretentiousness on a grander, more pseudo-intellectual scale than the ‘ordinary’ students Richard despises, who hang Barbie dolls on their doors and wear black.

I do agree though that Donna Tartt isn’t entirely in control of her effects sometimes — I mean, I think she isn’t always ironic about how Richard glamourises five people (six if you include Julian) who are in fact fairly banal and dysfunctional, if you take away trappings like the grandiose country house, the fountain pens, walking around with Buddhist scriptures etc.

Eyesofdisarray · 21/02/2021 10:41

Oh dear - Love in the Time of Cholera is one of my favourites!
Agree re Jodi Picoult though
When I read that Donna Tartt had a new book out, I was a little bit excited having loved previous work. But can't get into The Goldfinch at all.
Hated Transcription- totally awful but loved all her other books. Oh, except God in Ruins- tried twice couldn't hack it
9 Perfect Strangers had a feeling of being rushed out and was quite frankly, too silly for words. Loved her other books though especially the one about Scribbly Gum island.
Ruth Rendell/Barbara Vine remains a favourite of mine for brilliantly crafted psychological thrillers, but her last few like The Child's Child and The St Zita Society were a bit meh....
Just found Lisa Jewell and quite enjoying them
Picked up a BA Paris which had good reviews on Goodreads but not impressed. Finding it quite poorly written and predictable. Skim-reading through to see if I'm right. Going straight to the charity shop (when able!!!)
Tried and given up on many, many crappy books but that's a different thread
Smile

BIWI · 21/02/2021 10:46

Captain Corelli is one of the books I simply can't read. I've tried three times now - the last time after a visit to Kefalonia inspired me to have another go. But it's impossible. Over-written and pretentious.

HappydaysArehere · 21/02/2021 11:01

Kazuou Ishiguro and Margaret Atwood. Used to really enjoy their books until they began dystopian novels. I now avoid them.

JamesMiddletonsMarshmallows · 22/02/2021 01:51

Just reading Invisible Girl by Lisa Jewell and she features a (obviously fictional) newspaper story about an arrest saying "bail is posted at one million pounds". WTAF. Did she not research that this doesn't happen in the U.K.? It's such a rookie move, like what a year 7 pupil would write in a creative writing exercise because they don't know better, I feel like not reading any more

zafferana · 22/02/2021 07:49

Kate Atkinson - I loved her early books like Behind the Scenes at the Museum, but her Jackson Brodie books got worse and worse. The TV series was better, but on paper they were lazy, predictable drivel.

A Week in December by Sebastian Faulks was another stinker. I too loved Birdsong, Charlotte Grey, Engleby, Human Traces - but AWID was awful.

I can't read Lionel Shriver or Hilary Mantel - just can't get into them at all - and I HATED 'Never Let me Go' by Ishiguro - I just couldn't believe it - it was so ridiculous and far-fetched. Philip Pullman has always disappointed me. People RAVED about the Northern Lights trilogy, but neither DS nor I were hugely impressed.

As for The Girls by Lisa Jewell - that was the first book of hers I read and I rather liked it. I just finished The Family Upstairs and I liked that too. Trespass by Rose Tremain was okay, but not in the same class as Restoration, which was brilliant.

zafferana · 22/02/2021 08:01

@SeeyouontheothersideofCovid

Douglas Kennedy for me. All earlier books had a unique take, were well written with interesting plots.

But the later ones seem to be writing by numbers - very formulaic and they feel that he's just banging them out for the income and not very interested in actually writing them anymore.

So agree with this too. I LOVED his early books - so fresh and original - but then it's like someone else started writing them, so dramatic was the switch from great books to utter rubbish. The covers changed at that point too, to romantic-looking 'we're trying to appeal to WOMEN' so the shit ones were easy to identify!
barnanabas · 22/02/2021 13:58

I've found my people! Came on here to mention The Little Friend and Nine Perfect Strangers.
I love Curtis Sittenfeld, and Eligible is her only book I haven't read.
I loved One Day, but haven't really enjoyed other David Nicholls.

theleafandnotthetree · 22/02/2021 13:59

@zafferana

Kate Atkinson - I loved her early books like Behind the Scenes at the Museum, but her Jackson Brodie books got worse and worse. The TV series was better, but on paper they were lazy, predictable drivel.

A Week in December by Sebastian Faulks was another stinker. I too loved Birdsong, Charlotte Grey, Engleby, Human Traces - but AWID was awful.

I can't read Lionel Shriver or Hilary Mantel - just can't get into them at all - and I HATED 'Never Let me Go' by Ishiguro - I just couldn't believe it - it was so ridiculous and far-fetched. Philip Pullman has always disappointed me. People RAVED about the Northern Lights trilogy, but neither DS nor I were hugely impressed.

As for The Girls by Lisa Jewell - that was the first book of hers I read and I rather liked it. I just finished The Family Upstairs and I liked that too. Trespass by Rose Tremain was okay, but not in the same class as Restoration, which was brilliant.

Jeez Louise you're hard to please!
Crimeismymiddlename · 22/02/2021 14:32

I think Lisa Jewel in particular is ether amazing or awful. Patricia Cornwall, loved the early books but when she brought Lucy in as an irritating main character and made Marino into a sex offender who she inexplicably keeps around like a pet, with book endings that made no sense and had obviously had little thought out into them I stopped. Sophie Hannah, some great books then they start to steep into awful-Haven’t they Grown was the biggest pile of shit I have read in a good long while-the printers must have been desperate for something to fill the shelves. Ian Rankin, just seems stuck in an endless loop of ether rebus/shiobian/cafferty or dupes of them, they are also boring now. I always thought he should have gone the same route as Micheal Connelly and expanded the ‘universe’ of Rebus and weave him and out.

Alcemeg · 05/03/2021 19:14

@GrumpyMiddleAgedWoman

I enjoyed The Testaments.

As a teenager, I read all of Mary Renault's books set in Ancient Greece. Then as I young adult I read The Charioteer. Very different in many ways, similar in other, still a comfort read thirty years on.

The Charioteer was a fabulous book!
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