My tuppence-worth on the two talking points of the last few days:
@EineReiseDurchDieZeit I have read the PD James, the Ali Smith, Stuart - A Life Backwards and The Loney from your list. Of those I'd go for the Ali Smith, which is a bit of a surprise because I don't really like most of her books, but I did love that one. The others are all decent; I agree with @highlandcoo that The Loney peters out at the end.
Any Human Heart is awesome.
On to...
9. Lanny by Max Porter
Immediately I finished reading this I looked online to see whether anyone had made comparisons between it and Jon McGregor's Reservoir 13. Quite a few had, and like me, most felt Lanny was rather slight in comparison. It is perhaps unfortunate for Porter that another book centring around a missing child was written not long before his own. The books are different in their focus; whilst both are set in small villages, Lanny is much more about the child himself and his family and immediate circle, although there's a lot of Greek chorus village commentary, whereas in Reservoir 13, the whole focus is on the ripples that spread out through the village as a result of the child's disappearance. There is some wonderful, poetic description in Lanny; I enjoyed the Greek chorus bits, which were well done, and the elemental being that is Dead Papa Toothwort is fantastically evoked even for someone like me who finds magical realism a bit twee. I liked the voices of Lanny's parents. But somehow the whole was less than the sum of its parts, and I found the ending pat and sentimental. Reservoir 13 felt to me like a much more mature, thought-provoking, deeper examination of village life - although to be fair, I don't think that's what Porter was aiming for.
I raced through it, though, and at points it was wonderful just to get caught up in the language, so don't let the downbeat parts of this review put you off!